000			04290cam a2200445Ki 4500
001			on1028048686
003			OCoLC
005			20240726105057.0
008			180309s2017 be ag ob 001 0 eng d
040			_aJSTOR _beng _erda _epn _cJSTOR _dYDX _dEBLCP _dNT
020			_a9789461662316 _q((electronic)l(electronic)ctronic)
020			_a9461662319 _q((electronic)l(electronic)ctronic)
050	0	4	_aML3877 _b.E974 2017
049			_aMAIN
245	1	0	_aExperimental encounters in music and beyond /edited by Kathleen Coessens.
260			_aLeuven (Belgium) : _bLeuven University Press, _c(c)2017.
300			_a1 online resource (210 pages) : _billustrations, music.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aThe Orpheus Institute series
504			_a2
520	8		_a"Experimental encounters in music and beyond opens a necessary dialogue on experimental practices in the arts and negotiates their place in contemporary society. Going beyond the music-historical usage of the term "experimental", this book reimagines experimentation as an open working definition encompassing multiple forms of artistic attitudes and processes. The texts, images, and sounds offer multiple traces, faces, and spaces, revealing what experimentalism in music and the wider arts entails today. With perspectives from a range of disciplines - from choreography through composition to philosophy and beyond - the different experiences and artistic projects documented and discussed explore the complexity of experimentation in a way that is all the richer for being never-ending."--Page 4 of cover.
505	0	0	_aIntro; Faces, Spaces, and Traces; A Prelude to Experimental Encounters; Kathleen Coessens; Part One; Contrasting Faces; Kathleen Coessens; Down With the Experiment!; Long Live the Process!; or, Dance Doesnâ#x80;#x99;t Exist; Efva Lilja; The Art of Risk Taking; Experimentation, Invention, and Discovery; Chaya Czernowin; Part Two:; Challenging Material Spaces; Kathleen Coessens; Thingification of Compositional Process; The Emergence and Autonomy of Extramusical Objects in Western Art Music; Svetlana MaraÅ¡; Roll Over Czerny; Frederik Croene; Austerity Measures and Rich Rewards
505	0	0	_aDavid Gorton and Christopher RedgateCooperation and Collaboration between Interpreter and Composer in Electroacoustic Music; Sebastian Berweck; Trans-form; Sketches, Experiments, and Concepts in Artistic Creation; Jan C. Schacher; Part Three; Experimental Dialogues with Traces; Kathleen Coessens; Rational Spaces; The String Quartets of Ben Johnston as Experimental Process; Bob Gilmore; The Need for Artistic Experimentation When Preparing Organum Duplum for Performance; LÃ(c)onin and PÃ(c)rotin and Twelfth- and Thirteenth-Century Polyphony from Lâ#x80;#x99;Ecole de Notre Dame; Penelope Turner
505	0	0	_aÂ#x80;#x9C;Associationâ#x80;#x9D;A Way of Artistic Experimentation That Can Expand Interpretation Possibilities; Valentin Gloor; Part Four; Negotiating Experimental(ly) Spaces and Faces; Kathleen Coessens; From Experimentation to Construction; Richard Barrett; Exper-iment, Exper-ience, Exper-tise; Practice-as-Research in Jazz Performance; Steve Tromans; Improvisation as Experimentation in Everyday Life and Beyond; Anne Douglas; Kathleen Coessens; Composition as Improvisation/Improvisation as Composition; David Horne and Melinda Maxwell; The Kunstorchester Kwaggawerk Project:
505	0	0	_aAn Original Cultural Education ProgrammeReto Stadelmann; An Afterthought to Experimental Encounters; Kathleen Coessens
530			_a2 _ub
650		0	_aAvant-garde (Music)
650		0	_aArts _xExperimental methods.
650		0	_aMusic _xPhilosophy and aesthetics.
650		0	_aCreation (Literary, artistic, etc.)
655		1	_aElectronic Books.
700	1		_aCoessens, Kathleen, _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1724602&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML _m2017 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c88183 _d88183
902			_a1 _bCynthia Snell _c1 _dCynthia Snell