000			03667cam a2200397Mi 4500
001			ocn976440545
003			OCoLC
005			20240726105054.0
008			170118s2017 enka o 000 0 eng d
040			_aNLE _beng _erda _epn _cNLE _dOCLCO _dOCLCQ _dOCLCF _dYDX _dNT
020			_a9781526114945 _q((electronic)l(electronic)ctronic)
020			_a9781526114938 _q((electronic)l(electronic)ctronic)
043			_ae-uk---
050	0	4	_aNA6750 _b.A384 2017
049			_aMAIN
245	1	0	_aAfter 1851 : _bthe material and visual cultures of the Crystal Palace at Sydenham / _cedited by Kate Nichols, Sarah Victoria Turner.
260			_aManchester : _bManchester University Press, _c(c)2017.
300			_a1 online resource : _billustrations (black and white)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
505	0	0	_aForeword by Isobel Armstrong 1. 'What is to become of the Crystal Palace?' The Crystal Palace after 1851 -- _tKate Nichols and Sarah Victoria Turner 2. 'A present from the Crystal Palace': souvenirs of Sydenham, miniature views and material memory -- _tVerity Hunt 3. The cosmopolitan world of Victorian portraiture: the Crystal Palace portrait gallery, c. 1854 -- _tJason Edwards 4. The armless artist and the lightning cartoonist: performing popular culture at the Crystal Palace c. 1900 -- _tAnn Roberts 5. '[M]anly beauty and muscular strength': sculpture, sport and the nation at the Crystal Palace, 1854-1918 -- _tKate Nichols 6. From Ajanta to Sydenham: 'Indian' art at the Sydenham Palace -- _tSarah Victoria Turner 7. Peculiar pleasure in the ruined Crystal Palace -- _tJames Boaden 8. Dinosaurs Don't Die: the Crystal Palace monsters in children's literature, 1854-2001 -- _tMelanie Keene 9. 'A copy -- _tor rather a translation ... with numerous sparkling emendations.' Re-rebuilding the Pompeian Court of the Crystal Palace -- _tShelley Hales and Nic Earle Index.
504			_a2
520	8		_aEchoing Joseph Paxton's question at the close of the Great Exhibition, 'What is to become of the Crystal Palace?', this interdisciplinary essay collection argues that there is considerable potential in studying this unique architectural and art-historical document after 1851, when it was rebuilt in the South London suburb of Sydenham. It brings together research on objects, materials and subjects as diverse as those represented under the glass roof of the Sydenham Palace itself; from the Venus de Milo to Sheffield steel, souvenir 'peep eggs' to war memorials, portrait busts to imperial pageants, tropical plants to cartoons made by artists on the spot, copies of paintings from ancient caves in India to 1950s film. Essays do not simply catalogue and collect this eclectic congregation, but provide new ways for assessing the significance of the Sydenham Crystal Palace for both nineteenth- and twentieth-century studies. The volume will be of particular interest to researchers and students of British cultural history, museum studies, and art history.
530			_a2 _ub
610	2	0	_aCrystal Palace (Sydenham, London, England) _xHistory.
650		0	_aModernism (Art)
655		1	_aElectronic Books.
700	1		_aNichols, Kate, _e5
700	1		_aTurner, Sarah Victoria, _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1695470&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hNA. _m2017 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c88056 _d88056
902			_a1 _bCynthia Snell _c1 _dCynthia Snell