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001 | on1020612507 | ||
003 | OCoLC | ||
005 | 20240726105053.0 | ||
008 | 180131s2016 ne ob 001 0 eng d | ||
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_aYDX _beng _erda _cYDX _dOCLCO _dEBLCP _dJSTOR _dNT |
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_a9789048529964 _q((electronic)l(electronic)ctronic) |
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_a9048529964 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aPN1995 _b.F556 2016 |
049 | _aMAIN | ||
100 | 1 |
_aElsaesser, Thomas, _d1943- _e1 |
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_aFilm history as media archaeology _btracking digital cinema / _cThomas Elsaesser. |
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_aAmsterdam : _bAmsterdam University Press, _c(c)2016. |
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_a[Chicago] : _bUniversity of Chicago Press, _c(c)2016. |
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300 | _a1 online resource. | ||
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_aFilm culture in transition ; _v50 |
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505 | 0 | 0 | _aCover; Contents; Acknowledgements; General Introduction; Media Archaeology: Foucaultâ#x80;#x99;s Legacy; Film History as Media Archaeology; Is Media Archaeology a Supplement to or a Substitute for Film History?; Walter Benjamin and the Modernity Thesis; Noël Burch and â#x80;#x9C;Primitive Cinemaâ#x80;#x9D;; The Legacy of Michel Foucault; Media Archaeology by Default as well as by Design; Media Archaeology and the Digital Turn; Four Dominant Approaches; Media Archaeology and the Museum World; The Amsterdam Media Archaeology Network; The Deep Time of Media, or the Place of Cinema in (Media) History |
505 | 0 | 0 | _aThe Archive: Crises in History and MemoryThe Crisis in Narrative: Transmedia Studies and Participatory Culture; The Limits of Media Archaeology; I â#x80;#x93; Early Cinema; 1. Film History as Media Archaeology; Introduction; Early Cinema as Key to the New Media Paradigms?; The Cinema of Attractions: Early Cinema, Avant-garde, Post-Classical, and Digital Media; Media Archaeology I: Film History between Teleologies and Retroactive Causalities; Media Archaeology II: Family Tree or Family Resemblance?; Media Archaeology III: What is Cinema, Where is Cinema, and When is Cinema? |
505 | 0 | 0 | _a2. The Cinematic Dispositif(Between Apparatus Theory and Artistsâ#x80;#x99; Cinema); â#x80;#x9C;Mâ#x80;#x9D; is for Media Archaeology; The Dispositif Cinema: Conditions of Possibility, Definitions; The Cinematic Apparatus Between High Theory and Media Archaeology; Dispositif Mark 1: What was Cinema?; Dispositif Mark 2: Early Cinema; Dispositif Mark 3: Installation Art and the Moving Image; Dispositif Mark 4: Encounter and Event; The Dispositif as Interface?; Vanishing Points: Infinity versus Ubiquity; II â#x80;#x93; The Challenge of Sound; 3. Going â#x80;#x98;Liveâ#x80;#x99;; Body and Voice in Some Early German Sound Films |
505 | 0 | 0 | _aA System of Double AddressDas Lied einer Nacht: Modernism versus Modernization; Horror Vacui or Ontological Vertigo?; Radio and Cinema; Going Live as Staying Alive; 4. The Optical Wave; Walter Ruttmann in 1929; The Film Industry and Avant-garde; International Cooperation against National Profiling; Painting with Time: Ruttmann and the Physiognomy of the Curve; â#x80;#x9C;Sound film is the topic of the dayâ#x80;#x9D;â#x80;#x94;the pivotal years: 1929-30; 1929 Melodie der Welt; The Film Author and the Commission: Ruttmann and the Industry; Ruttmann Believes It; III â#x80;#x93; Archaeologies of Interactivity |
505 | 0 | 0 | _a5. Archaeologies of InteractivityThe â#x80;#x9C;Rubeâ#x80;#x9D; as Symptom of Media Change; Attention â#x80;#x93; Problem or Solution?; The Rube Films: Towards a Theory of Embedded Attention; The (Extra-)Diegetic Spaces of Early Cinema; The Return of the Rube; Towards a New Reflexivity; 6. Constructive Instability; or: The Life of Things as Cinemaâ#x80;#x99;s Afterlife?; Here-Me-Now; Constructive Instability; Performed Failure: Narratives of Collapse; The Honda Cog; Der Lauf der Dinge; Around the World in Eighty Clicks; Cluster and Forking Path â#x80;#x9C;Rube Goldbergâ#x80;#x9D;; Cluster and Forking Path â#x80;#x9C;Pythagoras Switchâ#x80;#x9D; |
505 | 0 | 0 | _aCluster and Forking Path â#x80;#x9D;Domino Dayâ#x80;#x9D; and Celebrity TV |
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_aMotion pictures _xPhilosophy. |
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_aMotion pictures _xHistory. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1691696&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hPN.. _m2016 _QOL _R _x _8NFIC _2LOC |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |