000			02025cam a2200373Ki 4500
001			on1020788601
003			OCoLC
005			20240726105053.0
008			180130s2018 ne ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dYDX _dJSTOR
020			_a9789048535859 _q((electronic)l(electronic)ctronic)
020			_a9048535859 _q((electronic)l(electronic)ctronic)
043			_an-us---
050	0	4	_aML3551 _b.A447 2018
049			_aMAIN
100	1		_aSvec, Henry Adam, _e1
245	1	0	_aAmerican folk music as tactical media /by Henry Adam Svec.
260			_aAmsterdam : _bAmsterdam University Press, _c(c)2018.
300			_a1 online resource (197 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aRecursions: theories of media, materiality, and cultural techniques
504			_a2
520	8		_aAmerican folk music has long presented a problematic conception of authenticity, but the reality of the folk scene, and its relationship to media, is far more complicated. This book draws on the fields of media archaeology, performance studies, and sound studies to explore the various modes of communication that can be uncovered from the long American folk revival. From Alan Lomax's cybernetic visions to Bob Dylan's noisy writing machines, this book retrieves a subterranean discourse on the concept of media that might help us to reimagine the potential of the networks in which we work, play, and sing.
530			_a2 _ub
650		0	_aFolk music _zUnited States _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1691693&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML _m2018 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c88049 _d88049
902			_a1 _bCynthia Snell _c1 _dCynthia Snell