000 | 01926cam a2200409Ii 4500 | ||
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001 | on1035515713 | ||
003 | OCoLC | ||
005 | 20240726105053.0 | ||
008 | 100408s2017 cc ob 000 0 eng d | ||
040 |
_aP@U _beng _epn _erda _cP@U _dYDX _dJSTOR _dEBLCP _dNT _dOCLCF _dMERUC _dEZ9 _dIDB _dOCLCO _dIYU |
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020 |
_a9789888390366 _q((electronic)l(electronic)ctronic) |
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020 |
_a9888390368 _q((electronic)l(electronic)ctronic) |
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043 | _aa-ch--- | ||
050 | 0 | 4 |
_aPN1998 _b.N663 2017 |
049 | _aMAIN | ||
100 | 1 |
_aUdden, James. _e1 |
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245 | 1 | 0 |
_aNo man an island : _bthe cinema of Hou Hsiao-Hsien / _cJames Udden. |
250 | _aSecond edition. | ||
260 |
_aHong Kong : _bHong Kong University Press, _c(c)2017. |
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300 | _a1 online resource (xiii, 241 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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504 | _a1 | ||
520 | 8 | _aThis is a book-length study of Hou Hsiao-Hsien, Taiwan's famous director of movies such as 'The Puppetmaster', 'City of Sadness', 'Flowers of Shanghai', and 'Goodbye South, Goodbye'. His body of work reflects a unique film style chracterized by intricate lighting, improvisational acting, and long, static shots. | |
530 |
_a2 _ub |
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600 | 1 | 0 |
_aHou, Xiaoxian, _d1947- _xCriticism and interpretation. |
650 | 0 |
_aMotion picture producers and directors _zTaiwan. |
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653 | 0 |
_aHou, Xiaoxian _aCriticism and interpretation |
|
653 | 0 |
_aMotion picture producers and directors _aTaiwan |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1687337&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPN.. _m(c)2017 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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999 |
_c88026 _d88026 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |