000 | 04321cam a2200433Ii 4500 | ||
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001 | on1019708712 | ||
003 | OCoLC | ||
005 | 20240726105053.0 | ||
008 | 180116t20182018abc ob 001 0 eng d | ||
040 |
_aNT _beng _erda _epn _cNT _dEBLCP _dNT _dOCLCF _dYDX _dMERUC _dCELBN _dUAB _dNLC _dBTN _dINT _dOCLCQ _dTKN _dCUY _dLOA _dZCU _dOSU _dOCLCQ _dICG _dNLC _dAGLDB _dNLC _dDKC _dOCLCQ _dUWO _dOCLCQ _dIAI |
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016 | _a(AMICUS)000045268792 | ||
020 |
_a9781772123548 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aGV1787 _b.E965 2018 |
049 | _aMAIN | ||
245 | 1 | 0 | _aThe evolving feminine ballet body /Pirkko Markula and Marianne I. Clark, editors. |
250 | _aFirst electronic edition.ition, 2018. | ||
260 |
_aEdmonton, Alberta, Canada : _bThe University of Alberta Press, _c(c)2018. |
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300 | _a1 online resource (xxxiv, 189 pages) | ||
336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_aReading the ballet body in children's fiction / _rKate Z. Davies -- _tSo you think you can dance : the feminine ballet body in a popular reality show / _rPirkko Markula -- _tBallet-inspired workouts : intersections of ballet and fitness / _rPirkko Markula and Marianne I. Clark -- _tMultiple bodies : in the studio with adolescent ballet dancers / _rMarianne I. Clark -- _t"Moving for pleasure" : the positive experience of ballet dancers moving into recreational contemporary dance / _rCarolyn Millar -- _tAt the barre : ethical training for beginner ballet class / _rJodie Vandekerkhove -- _tBallet for all bodies? : Tensions in teaching ballet technique within an integrated dance context / _rKelsie Acton and Lindsay Eales -- _tConclusion / _rPirkko Markula and Marianne I. Clark. |
520 | 0 | _aSeven essays discuss both the local perspective and the broader cultural narratives of contemporary ballet. | |
520 | 0 |
_a"With the popularity of such reality TV shows as So You Think You Can Dance, dance has become increasingly visible within contemporary culture. This shift brings the ballet body into renewed focus. Historically both celebrated and critiqued for its thin, flexible, and highly feminized aesthetic, the ballet body now takes on new and complex meanings at the intersections of performance art, popular culture, and even fitness. The Evolving Feminine Ballet Body provides a local perspective to enrich the broader cultural narratives of ballet through historical, socio-cultural, political, and artistic lenses, redefining what many considered to be "high art." Scholars in gender studies, folklore, popular culture, and cultural studies will be interested in this collection, as well as those involved in the dance world."-- _cProvided by publisher. |
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520 | 0 | _aDance has become increasingly visible within contemporary culture: just think of reality TV shows featuring this art form. This shift brings the ballet body into renewed focus. Historically both celebrated and critiqued for its thin, flexible, and highly feminized aesthetic, the ballet body now takes on new and complex meanings at the intersections of performance art, popular culture, and fitness. The Evolving Feminine Ballet Body provides a local perspective to enrich the broader cultural narratives of ballet through historical, socio-cultural, political, and artistic lenses, redefining what many consider to be "high art." Scholars in gender studies, folklore, popular culture, and cultural studies will be interested in this collection, as well as those involved in the dance world.Contributors: Kelsie Acton, Marianne I. Clark, Kate Z. Davies, Lindsay Eales, Pirkko Markula, Carolyn Millar, Jodie Vandekerkhove | |
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_aBallet _xSocial aspects. |
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650 | 0 |
_aHuman body _xSocial aspects. |
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655 | 1 | _aElectronic Books. | |
700 | 1 |
_aMarkula, Pirkko, _d1961- _e5 |
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700 | 1 |
_aClark, Marianne I. _d1976- _e5 |
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700 | 1 | _q(Marianne Irene), | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1684246&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hGV _m2018 _QOL _R _x _8NFIC _2LOC |
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_c88019 _d88019 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |