000			03724cam a2200373Ii 4500
001			on1015887734
003			OCoLC
005			20240726105052.0
008			171219t20182018fluab ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dYDX _dNT _dEBLCP _dUAB _dUBY _dOCLCF _dOSU _dIDB _dOCLCQ _dEZ9 _dINT _dOUP _dOCLCQ _dP@U _dOCLCQ _dK6U _dJSTOR
020			_a9780813052175 _q((electronic)l(electronic)ctronic)
043			_anwcu---
050	0	4	_aF1776 _b.C833 2018
049			_aMAIN
100	1		_aAlonso González, Pablo, _e1
245	1	0	_aCuban cultural heritage : _ba rebel past for a revolutionary nation / _cPablo Alonso González ; foreword by Paul A. Shackel.
260			_aGainesville : _bUniversity Press of Florida, _c(c)2018.
300			_a1 online resource (xiv, 335 pages) : _billustrations, maps
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aCultural heritage studies
520	0		_a"Effectively analyzes the evolving shape of the heritage discourse across these periods and casts light on the nature of heritage production in socialist and postcolonial societies globally."--Paul B. Niell, author of Urban Space as Heritage in Late Colonial Cuba: Classicism and Dissonance on the Plaza de Armas of Havana, 1754-1828"Aptly shows how cultural and historical heritage have played a key role during a century of deep social and political change in Cuba."--Carmen Ortiz García, Spanish National Research Council Cuban Cultural Heritage explores the role that cultural heritage and museums played in the construction of a national identity in postcolonial Cuba. Starting with independence from Spain in 1898 and moving through Cuban-American rapprochement in 2014, Pablo Alonso González illustrates how political and ideological shifts have influenced ideas about heritage and how, in turn, heritage has been used by different social actors to reiterate their status, spread new ideologies, and consolidate political regimes. Unveiling the connections between heritage, power, and ideology, Alonso Gonzalez delves into the intricacies of Cuban history, covering key issues such as Cuba's cultural and political relationships with Spain, the United States, the Soviet Union, and so-called Third World countries; the complexities of Cuba's status as a postcolonial state; and the potential future paths of the Revolution in the years to come. This volume offers a detailed look at the function and place of cultural heritage under socialist states.
505	0	0	_aIntroduction -- _tNegotiating the past, representing the nation: the contested uses of heritage during the Republic (1898-1959) -- _tHeritage as passion: the early years of the Cuban Revolution (1959-1973) -- _tThe institutionalization of the Cuban heritage field (1973-1990) -- _tThe reification of ideology as heritage and the return of the nation between 1990 and 2014 -- _tThe office of the city historian of Havana and the nation as heritage after 1990: a path towards reconciliation or towards touristification? -- _tThe coloniality of heritage in postcolonial Cuba.
504			_a2 Description based on online resource; title from PDF title page (EBC, viewed February 8, 2018).
530			_a2 _ub
655		1	_aElectronic Books.
700	1		_aShackel, Paul A., _ewriter of foreword.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1663316&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hF _m2018 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c87974 _d87974
902			_a1 _bCynthia Snell _c1 _dCynthia Snell