000 01911cam a2200397 i 4500
001 ocn988087520
003 OCoLC
005 20240726105051.0
008 170524s2018 inu ob 001 0deng
010 _a2017025461
040 _aDLC
_beng
_erda
_cDLC
_dOCLCF
_dYDX
_dNT
_dEBLCP
_dP@U
_dTEFOD
_dJSTOR
_dCUY
_dSTF
_dCNCGM
_dMERER
_dTJC
_dNJR
_dINT
_dCAO
_dUKAHL
_dK6U
_dUKOBU
_dSFB
_dDLC
_dOCLCO
_dKSU
020 _a9780253031563
_q((electronic)l(electronic)ctronic)
020 _a9780253034205
_q((electronic)l(electronic)ctronic)
042 _apcc
043 _an-us---
050 0 4 _aML420
_b.D655 2018
049 _aMAIN
100 1 _aEdwards, Leigh H.,
_d1970-
_e1
245 1 0 _aDolly Parton, gender, and country music /Leigh H. Edwards.
260 _aBloomington, Indiana :
_bIndiana University Press,
_c(c)2018.
300 _a1 online resource (xii, 265 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
504 _a2
505 0 0 _aIntroduction: Dolly mythology --
_t"Backwoods Barbie": Dolly Parton's gender performance --
_tMy Tennessee mountain home: early Parton and authenticity narratives --
_tParton's crossover and film stardom: the "hillbilly Mae West" --
_tHungry again: reclaiming country authenticity narratives --
_t"Digital Dolly" and new media fandoms --
_tConclusion: brand evolution and Dollywood.
530 _a2
_ub
600 1 0 _aParton, Dolly.
650 0 _aWomen country musicians
_zUnited States.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1649459&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hML.
_m2018
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c87932
_d87932
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell