000			03278cam a2200397 i 4500
001			on1038273524
003			OCoLC
005			20240726105047.0
008			180209s2018 ilu ob 001 0 eng
010			_a2019718281
040			_aDLC _beng _erda _cDLC _dP@U _dYDX _dJSTOR _dEBLCP _dMERUC _dIDB _dEZ9 _dAU@ _dK6U _dNT
020			_a9780252050312 _q((electronic)l(electronic)ctronic)((pa(print & electronic)rback)a((pa(print & electronic)rback)rint & (electronic)l(electronic)ctronic)rback)ub
043			_an-us---
050	0	0	_aML3477 _b.R544 2018
049			_aMAIN
100	1		_aMullen, Patrick B., _d1941- _e1
245	1	0	_aRight to the juke joint : _ba personal history of American music / _cPatrick B. Mullen.
260			_aUrbana : _bUniversity of Illinois Press, _c(c)2018.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aMusic in American life
504			_a2
520	0		_a"The cowboy songs and dusty Texas car rides of his youth set Patrick B. Mullen on a lifelong journey into the sprawling Arcadia of American music. That music fused so-called civilized elements with native forms to produce everything from Zydeco to Conjunto to jazz to Woody Guthrie. The civilized/native idea, meanwhile, helped develop Mullen's critical perspective, guide his love of music, and steer his life's work. Part scholar's musings and part fan's memoir, Right to the Juke Joint follows Mullen from his early embrace of country and folk to the full flowering of an idiosyncratic, omnivorous interest in music. Personal memory merges with a lifetime of fieldwork in folklore and anthropology to provide readers with a deeply informed analysis of American roots music. Mullen opens up on the world of ideas and his own tireless fandom to explore how his cultural identity--and ours--relates to concepts like authenticity and folkness. The result is a charming musical map drawn by a gifted storyteller whose boots have traveled a thousand tuneful roads."--Provided by publisher.
505	0	0	_aCover; Title; Copyright; Contents; Acknowledgments; 1. They All Go Native on a Saturday Night: Civilized versus Native in American Vernacular Music; 2. Yes Indeed: Race, Revival, and Rock 'n' Roll; 3. Let's All Get Dixie Fried: Sexuality, Masculinity, Race, and Rockabilly; 4. Take Me Higher: Dancing, Drinking, and Doing Drugs; 5. Blues and the Abstract Truth: From Blues to Jazz; 6. I Was So Much Older Then: Folk Revival into Rock 'n' Roll; 7. The Night They Drove Old Dixie Down: Bluegrass, Folk Rock, and Outlaw Country; 8. Come Back to Texas: From "Bogalusa Boogie" to "Soy Chicano"; Notes.
530			_a2 _ub
650		0	_aPopular music _zUnited States _xHistory and criticism.
650		0	_aFolk music _zUnited States _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1595826&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML _m2018 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c87677 _d87677
902			_a1 _bCynthia Snell _c1 _dCynthia Snell