000			04032cam a2200457 i 4500
001			on1028552378
003			OCoLC
005			20240726105047.0
008			171207s2018 ilu ob s001 0 eng
010			_a2019718276
040			_aDLC _beng _erda _cDLC _dNT _dYDX _dP@U _dJSTOR _dEBLCP _dIDB _dMERUC _dUAB _dORZ _dUKOUP _dU3W _dLEAUB _dKMS
020			_a9780252050244 _q((electronic)l(electronic)ctronic)((pa(print & electronic)rback)a((pa(print & electronic)rback)rint & (electronic)l(electronic)ctronic)rback)ub
043			_an-us---
050	0	0	_aPS169 _b.N467 2018
049			_aMAIN
245	1	0	_aNeo-passing : _bperforming identity after Jim Crow / _cedited by Mollie Godfrey and Vershawn Ashanti Young ; foreword by Gayle Wald ; afterword by Michele Elam.
260			_aUrbana : _bUniversity of Illinois Press, _c(c)2018.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
520	0		_a"This volume seeks to theorize and explore the concept of "neo-passing," or the proliferation of passing in the post-Jim Crow moment. Why--in our "color-blind" or "post-racial" moment--is passing still of such literary and cultural interest? To answer this question, chapters in this book focus on a range of passing practices, performances and texts that are part of the emerging genre of what we call neo-passing narratives. Neo-passing narratives are contemporary narratives that depict someone being taken for an identity other than what s/he is considered really to be. That these texts are written, constructed, or produced at a time when passing should have passed reveals that the questions passing raises--questions about how identity is performed and contested in relation to social norms--are just as relevant now as they were at the turn of the twentieth century"-- _cProvided by publisher.
504			_a2
505	0	0	_aIntroduction : The Neo-Passing Narrative -- _tAppendix to the Introduction. Neo-Passing Narratives : Teaching and Scholarly Resources -- _tNew Histories. Introduction : Passing at the Turn of the Twenty-First Century ; Why Passing Is (Still) Not Passé after More Than 250 Years : Sources from the Past and Present ; Passing for Postracial : Colorblind Reading Practices of Zombies, Sheriffs, and Slaveholders ; Adam Mansbach's Postracial Imaginary in Angry Black White Boy ; Black President Bush : The Racial and Gender Politics behind Dave Chappelle's Presidential Drag ; Seeing Race in Comics : Passing, Witness, and the Spectacle of Racial Violence in Johnson and Pleece's Incognegro -- _tNew Identities. Introduction : Passing at the Intersections ; Passing Truths : Identity-Immersion Journalism and the Experience of Authenticity ; Passing for Tan : Snooki and the Grotesque Reality of Ethnicity ; The Pass of Least Resistance : Sexual Orientation and Race in ZZ Packer's "Drinking Coffee Elsewhere" ; Neo-Passing and Dissociative Identities as Affective Strategies in Frankie and Alice ; "A New Type of Human Being" : Gender, Sexuality, and Ethnicity as Perpetual Passing in Jeffrey Eugenides's Middlesex -- _tAfterword : Why Neo Now?.
530			_a2 _ub
650		0	_aPassing (Identity) in literature.
650		0	_aAfrican Americans _xRace identity.
650		0	_aRace awareness _zUnited States.
650		0	_aAfrican Americans in literature.
650		0	_aRace in literature.
655		1	_aElectronic Books.
700	1		_aGodfrey, Mollie, _d1979- _e5
700	1		_aYoung, Vershawn Ashanti, _e5
700	1		_aWald, Gayle, _d1965- _ewriter of foreword.
700	1		_aElam, Michele, _ewriter of afterword.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1595821&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPS. _m2018 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c87673 _d87673
902			_a1 _bCynthia Snell _c1 _dCynthia Snell