000 | 02706cam a2200385 i 4500 | ||
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001 | on1039322947 | ||
003 | OCoLC | ||
005 | 20240726105046.0 | ||
008 | 200424s2018 ilu ob 001 0 eng | ||
010 | _a2019716427 | ||
040 |
_aDLC _beng _erda _cDLC _dEBLCP _dSTF _dMERUC _dCUS _dOCLCF _dNT _dP@U _dJSTOR _dIDB _dCNO _dK6U _dUKOBU _dYDX _dOCLCO _dKMS _dUX1 _dOCLCA |
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020 |
_a9780252050619 _q((electronic)l(electronic)ctronic) |
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042 | _apcc | ||
050 | 0 | 0 |
_aML1700 _b.B533 2018 |
049 | _aMAIN | ||
100 | 1 |
_aAndré, Naomi Adele, _e1 |
|
245 | 1 | 0 |
_aBlack opera : _bhistory, power, engagement / _cNaomi André. |
260 |
_aUrbana : _bUniversity of Illinois Press, _c(c)2018. |
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300 | _a1 online resource | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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504 | _a2 | ||
505 | 0 | 0 |
_tEngaged Opera -- _tBlack Opera across the Atlantic : Writing Black Music History and Opera's Unusual Place -- _tHaunted Legacies : Interracial Secrets From the Diary of Sally Hemings -- _tContextualizing Race and Gender in Gershwin's Porgy and Bess -- _tCarmen : From Nineteenth-Century France to Settings in the United States and South Africa in the Twentieth and Twenty-First Centuries -- _tWinnie, Opera, and South African Artistic Nationhood -- _tConclusion : Engaged Musicology, Political Action, and Social Justice. |
520 | 0 | _aFrom classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. The author draws on the experiences of performers and audiences to explore this music's resonance with listeners in the twenty-first century. Interacting with creators and performers, as well as with the works themselves, the author reveals how Black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent - or even liberate.--description from publisher's website. | |
530 |
_a2 _ub |
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650 | 0 | _aBlack people in opera. | |
650 | 0 | _aOpera. | |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1595798&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hML _m2018 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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999 |
_c87662 _d87662 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |