000			04468cam a2200409Ki 4500
001			ocn992787199
003			OCoLC
005			20240726105046.0
008			170706t20172017wiu ob 001 0 eng d
040			_aYDX _beng _erda _epn _cYDX _dEBLCP _dMERUC _dP@U _dNT _dYDX _dIDEBK _dOCL _dNT _dOCLCQ _dAGLDB _dG3B _dIGB _dTXM _dOCL _dOCLCO _dOCLCA _dOCLCQ _dOCL _dYDXIT
020			_a9780299312237 _q((electronic)l(electronic)ctronic)
043			_ae-ur---
050	0	4	_aPG2975 _b.W758 2017
049			_aMAIN
100	1		_aPatyk, Lynn Ellen, _e1
245	1	0	_aWritten in blood : _brevolutionary terrorism and Russian literary culture, 1861-1881 / _cLynn Ellen Patyk.
260			_aMadison, Wisconsin : _bThe University of Wisconsin Press, _c(c)2017.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
520	0		_aWritten in Blood offers a fundamentally new interpretation of the emergence of modern terrorism, arguing that it formed in the Russian literary imagination well before any shot was fired or bomb exploded. In March 1881, Russia stunned the world when a small band of revolutionaries calling themselves "terrorists" assassinated the Tsar-Liberator, Alexander II. Horrified Russians blamed the influence of European political and social ideas, while shocked Europeans perceived something new and distinctly Russian in a strategy of political violence that became known the world over as "terrorism" or "the Russian method." Lynn Ellen Patyk contends that the prototype for the terrorist was the Russian writer, whose seditious word was interpreted as an audacious deed - and a violent assault on autocratic authority. The interplay and interchangeability of word and deed, Patyk argues, laid the semiotic groundwork for the symbolic act of violence at the center of revolutionary terrorism. While demonstrating how literary culture fostered the ethos, pathos, and image of the revolutionary terrorist and terrorism, she spotlights Fyodor Dostoevsky and his "terrorism trilogy"--Crime and Punishment (1866), Demons (1870-73), and The Brothers Karamazov (1878-80) - as novels that uniquely illuminate terrorism's methods and trajectory. Deftly combining riveting historical narrative with penetrating literary analysis of major and minor works, Patyk's groundbreaking book reveals the power of the word to spawn deeds and the power of literature to usher new realities into the world. -- _cProvided by publisher.
505	0	0	_aPrologue: "Just You Wait! (Uzho tebe!)" -- _tPart 1: Enigmas of A-synchrony. What do Nihilists do? ; "Very dangerous!" ; Extraordinary men and gloomy monsters ; "Daring and original things" (Assez causé!) ; "Vous trouvez que l'assassinat est grandeur d'âme?" ; Spoiling one idea to save another ; A gloomier catechism -- _tPart 2: Apparitional terrorism in demons. "Again, like before" ; "The only possible explanation of all these wonders" ; Tarantulas with a heart? ; Dostoevsky's counterterrorism : "The first step" ; Dostoevsky's counterterrorism (Continued) : Laughter through fear ; The unity of all terrorism(s) -- _tPart 3: "The little devil sitting in your heart". A change of heart ; An original pan ; Emotions on trial : witness testimony and the prosecution ; Emotions on trial II : the defense ; Whose rebellion? ; False Christs and little devils ; "That is the whole answer" ; The Khokhlakova Principle : Russian society in the mirror of revolutionary terrorism ; Again, like before (again) -- _tPart 4: The beautiful dead (Deed). Writing in blood ; An icon with death ; Celebrity icons ; Terror in search of a face -- _tEpilogue: "All of Europe thrills to the horror."
530			_a2 _ub
600	0	0	_aAlexander _bII, _cEmperor of Russia, _d1818-1881 _xAssassination.
600	1	0	_aDostoyevsky, Fyodor, _d1821-1881 _xPolitical and social views.
650		0	_aRussian literature _xPolitical aspects.
650		0	_aTerrorism _zRussia _xHistory _y19th century.
650		0	_aTerrorism in literature.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1589659&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPG _m2017 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c87635 _d87635
902			_a1 _bCynthia Snell _c1 _dCynthia Snell