000			02950cam a2200373Ii 4500
001			on1002303928
003			OCoLC
005			20240726105045.0
008			170831t20172017stka obq 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dIDEBK _dYDX _dCNCGM _dEBLCP _dOSU _dLGG _dOCLCQ _dU3W _dAGLDB _dG3B _dIGB _dUKAHL _dJSTOR
020			_a9781474434768
020			_a9781474423090 _q((electronic)l(electronic)ctronic)
050	0	4	_aPN1995 _b.V367 2017
049			_aMAIN
100	1		_aHudson, Dale M., _d1965- _e1
245	1	0	_aVampires, race, and transnational Hollywoods /Dale Hudson.
260			_aEdinburgh : _bEdinburgh University Press, _c(c)2017.
300			_a1 online resource (xiii, 282 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aTraditions in American cinema
504			_a2
520	8		_aDale Hudson explores the movement of transnational Hollywood's vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa. As the vampire's popularity has swelled, vampire film and television has engaged with changing discourses around race and identity not always addressed in realist modes. Here, teen vampires comfort misunderstood youth, chador-wearing skateboarder vampires promote transnational feminism, African American and Mexican American vampires recover their repressed histories. Looking at contemporary hits like True Blood, Twilight, Underworld and The Strain, classics such as Universal's Dracula and Dracula, and miscegenation melodramas like The Cheat and The Sheik, the book reconfigures Hollywood historiography and tradition as fundamentally transnational, offering fresh interpretations of vampire media as trans-genre sites for political contestation.
505	0	0	_aIntroduction: migrations and mutations -- _tBlood, bodies, and borders -- _t"Making" Americans from foreigners -- _tClassical Hollywood vampires: the unnatural whiteness of America -- _tInternational Hollywood vampires: cosmopolitanisms of "foreign movies" -- _tVampires of color: a critique of multicultural whiteness -- _tTerrorist vampires: religious heritage or planetary advocacy -- _tOther vampires, other Hollywoods: serialized citizenship and narrowcast difference -- _tConclusion: history and Hollywood, mashed-up.
530			_a2 _ub
650		0	_aVampire films _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1584972&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m2017 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c87591 _d87591
902			_a1 _bCynthia Snell _c1 _dCynthia Snell