000			03811cam a2200469Ki 4500
001			ocn992805031
003			OCoLC
005			20240726105042.0
008			170705s2017 paua ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dP@U _dYDX _dEBLCP _dIDEBK _dMERUC _dJSTOR
020			_a9780822982432 _q((electronic)l(electronic)ctronic)
050	0	4	_aPN45 _b.A585 2017
049			_aMAIN
100	1		_aShellhorse, Adam Joseph, _e1
245	1	0	_aAnti-Literature : _bthe politics and limits of representation in modern Brazil and Argentina / _cAdam Joseph Shellhorse.
260			_aPittsburgh, Pa. : _bUniversity of Pittsburgh Press, _c(c)2017.
300			_a1 online resource (xiv, 258 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aIlluminations (Pittsburgh, Pa.)
504			_a2
505	0	0	_aIntroduction: Anti-literature -- _tFigurations of immanence: writing the subaltern and the feminine in Clarice Lispector -- _tThe letter's limit: anti-literature and politics in David Viñas -- _tSubversions of the sensible: the poetics of antropofagia in Brazilian concrete poetry -- _tThe untimely matter of anti-literature: the politics of the Baroque in Haroldo de Campos and Osman Lins -- _tWriting subaltern redemption and insurgency: Haroldo de Campos's "The Left-Winged Angel of History" -- _tConclusion: The untimely secret of anti-literature.
520	0		_aAnti-Literature articulates a rethinking of what is meant today by "literature." Examining key Latin American forms of experimental writing from the 1920s to the present, Adam Joseph Shellhorse reveals literature's power as a site for radical reflection and reaction to contemporary political and cultural conditions. His analysis engages the work of writers such as Clarice Lispector, Oswald de Andrade, the Brazilian concrete poets, Osman Lins, and David Viñas, to develop a theory of anti-literature that posits the feminine, multimedial, and subaltern as central to the undoing of what is meant by "literature." By placing Brazilian and Argentine anti-literature at the crux of a new way of thinking about the field, Shellhorse challenges prevailing discussions about the historical projection and critical force of Latin American literature. Examining a diverse array of texts and media that include the visual arts, concrete poetry, film scripts, pop culture, neo-baroque narrative, and others that defy genre, Shellhorse delineates the subversive potential of anti-literary modes of writing while also engaging current debates in Latin American studies on subalternity, feminine writing, posthegemony, concretism, affect, marranismo, and the politics of aesthetics.
530			_a2 _ub
600	1	0	_aLispector, Clarice _xCriticism and interpretation.
600	1	0	_aViñas, David _xCriticism and interpretation.
600	1	0	_aAndrade, Oswald de, _d1890-1954 _xCriticism and interpretation.
600	1	0	_aLins, Osman, _d1924-1978 _xCriticism and interpretation.
600	1	0	_aCampos, Haroldo de _xCriticism and interpretation.
600	1	0	_aCampos, Augusto de _xCriticism and interpretation.
600	1	0	_aPignatari, Décio _xCriticism and interpretation.
650		0	_aLiterature _xPhilosophy.
650		0	_aConcrete poetry, Brazilian.
650		0	_aLatin American literature _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1545624&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN _m2017 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c87435 _d87435
902			_a1 _bCynthia Snell _c1 _dCynthia Snell