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008 170614s2017 paua ob 001 0 eng d
010 _z2017014484
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020 _a9780822981589
_q((electronic)l(electronic)ctronic)
043 _acl-----
050 0 4 _aPN6790
_b.C665 2017
049 _aMAIN
245 1 0 _aComics & memory in Latin America /Jorge L. Catalá Carrasco, Paulo Drinot, and James Scorer, editors.
246 3 _aComics and memory in Latin America
260 _aPittsburgh, Pa. :
_bUniversity of Pittsburgh Press,
_c(c)2017.
300 _a1 online resource (vi, 262 pages) :
_billustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aIlluminations: Cultural Formations of the Americas Series
504 _a2
505 0 0 _tComics and memory in Latin America /
_rJorge L. Catalá Carrasco, Paulo Drinot, and James Scorer --
_tRaising the Cuban flag: comics, collective memory, and the Spanish-Cuban-American war (1898) /
_rJorge L. Catalá Carrasco --
_tHow to make a revolution with words (and drawings) : history, memory, and identity in Oesterheld's comics /
_rEdoardo Balletta --
_tMafalda : talisman of democracy and icon of nostalgia for the 1960s /
_rIsabella Cosse --
_tComics in a revolutionary context : educational campaigns and collective memory in Sandinista Nicaragua /
_rChristiane Berth --
_tCyber-cuy : remembering and forgetting the Peruvian Left /
_rPaulo Drinot --
_tDeath in the Andes : comics as means to broach stories of political violence in Peru /
_rCynthia E. Milton --
_tMemory on the road : American highways and prosthetic pasts in Gonzalo Martínez and Alberto Fuguet's Road story /
_rJames Scorer --
_tProsthetic memory and networked temporalities in Morro da favela by André Diniz /
_rEdward King.
520 0 _a"Latin American comics and graphic novels have a unique history of addressing controversial political, cultural, and social issues. This volume presents new perspectives on how comics on and from Latin America both view and express memory formation on major historical events and processes. The contributors, from a variety of disciplines including literary theory, cultural studies, and history, explore topics including national identity construction, narratives of resistance to colonialism and imperialism, the construction of revolutionary traditions, and the legacies of authoritarianism and political violence. The chapters offer a background history of comics and graphic novels in the region, and survey a range of countries and artists such as Joaquín Salvador Lavado (a.k.a Quino), Hector G. Oesterheld, and Juan Acevedo. They also highlight the unique ability of this art and literary form to succinctly render memory. In sum, this volume offers in-depth analysis of an understudied, yet key literary genre in Latin American memory studies and documents the essential role of comics during the transition from dictatorship to democracy"--
_cProvided by publisher.
530 _a2
_ub
650 0 _aComic books, strips, etc.
_zLatin America
_xHistory and criticism.
650 0 _aGraphic novels
_zLatin America
_xHistory and criticism.
650 0 _aPopular culture and comics
_zLatin America.
650 0 _aNational characteristics, Latin American, in comics.
650 0 _aCollective memory in comics.
655 1 _aElectronic Books.
700 1 _aCatalá-Carrasco, Jorge L.,
_e5
700 1 _aDrinot, Paulo,
_e5
700 1 _aScorer, James,
_d1978-
_e5
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1532853&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
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_m2017
_QOL
_R
_x
_8NFIC
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994 _a92
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999 _c87403
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902 _a1
_bCynthia Snell
_c1
_dCynthia Snell