000			03680cam a2200469Mi 4500
001			ocn988048028
003			OCoLC
005			20240726105041.0
008			170525s2017 paua ob 001 0 eng d
040			_aYDX _beng _erda _cYDX _dOCLCO _dNT _dIDEBK _dEBLCP _dYDX _dNT _dP@U _dMERUC _dJSTOR
020			_a9780822982388 _q((electronic)l(electronic)ctronic)
043			_an-us---
050	0	4	_aE184 _b.P538 2017
049			_aMAIN
100	1		_aFoster, David William, _e1
245	1	0	_aPicturing the barrio _bten Chicano photographers / _cDavid William Foster.
260			_aPittsburgh, Pa. : _bUniversity of Pittsburgh Press, _c(c)2017.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aLatino and Latin American profiles
505	0	0	_aIntroduction; Part I. The Barrio: A Chicano Anchor; 1. Barrio Lives: Ricardo Valverde's East Los Angeles Photography; 2. Photography and Nostalgia: The Touched-Up Images of Kathy Vargas; 3. Los Angeles and Other Alien Lands: Harry Gamboa Jr.'s Photography of Urban Exile; 4. Barrios and the Visibility of Enduring Lives: Louis Carlos Bernal; Part II. Individual Subjectivities; 5. Woman's Body and Other Objects of Nature: The Nude Photography of Laura Aguilar; 6. On the Homosociality of Vatos: José Galvez; Part III. Chicano Cultural Perspectives
505	0	0	_a7. Mariachi and the Public Display of the Chicano Soul: Miguel A. Gandert8. Lowriders and the Ostentation of Chicano Masculinity: Art Meza; 9. Gendering the Fight: Delilah Montoya's Women Boxers; 10. Strategic Dissemblance in the Photography of Ken Gonzales-Day: Mexican Men and Lynching in California; Concluding Remarks; Notes; Works Cited; Index
520	2		_a"Mexican-American life, like that of nearly every contemporary community, has been extensively photographed. Yet there is surprisingly little scholarship on Chicano photography. Picturing the Barrio presents the first book-length examination on the topic. David William Foster analyzes the imagery of ten distinctive artists who offer a range of approaches to portraying Chicano life. The production of each artist is examined as an ideological interpretation of how Chicano experience is constructed and interpreted through the medium of photography, in sites ranging from the traditional barrio to large metropolitan societies. These photographers present artistic as well as documentary images of the socially invisible. They and their subjects grapple with definitions of identity, as well as ethnicity and gender. As such, this study deepens our understanding of the many interpretations of the Chicano experience"--Provided by publisher.
504			_a2
530			_a2 _ub
650		0	_aMexican Americans _xSocial life and customs _vPictorial works.
650		0	_aMexican Americans _xSocial conditions _vPictorial works.
650		0	_aMexican Americans _xEthnic identity _vPictorial works.
650		0	_aMexican American neighborhoods _vPictorial works.
650		0	_aCommunity life _zUnited States _vPictorial works.
650		0	_aMexican American photographers _vBiography.
650		0	_aDocumentary photography _zUnited States.
650		0	_aPhotography, Artistic.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1518640&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hE. _m2017 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c87323 _d87323
902			_a1 _bCynthia Snell _c1 _dCynthia Snell