000			02177cam a2200373 i 4500
001			ocn966315012
003			OCoLC
005			20240726105037.0
008			161214s2017 inu ob s001 0 eng
010			_a2016057720
040			_aDLC _beng _erda _epn _cDLC _dOCLCO _dOCLCF _dP@U _dNT _dIDEBK _dYDX _dEBLCP _dCNCGM _dCCO _dTEFOD _dIDB _dCSAIL _dCDN _dOTZ _dOCLCQ _dJSTOR _dUAB _dOCLCQ _dCEF _dINT _dOCLCQ _dU3W _dH9Z _dOCLCQ _dIAK _dUWK _dOCLCQ _dMM9 _dVTU
020			_a9780253026903 _q((electronic)l(electronic)ctronic)
042			_apcc
050	0	4	_aPN1995 _b.I587 2017
049			_aMAIN
100	1		_aNichols, Bill, _d1942- _e1
245	1	0	_aIntroduction to documentary /Bill Nichols.
250			_aThird edition.
260			_aBloomington : _bIndiana University Press, _c(c)2017.
300			_a1 online resource (xvi, 258 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction -- _tHow can we define documentary film? -- _tWhy are ethical issues central to documentary filmmaking? -- _tWhat gives documentaries a voice of their own? -- _tWhat makes documentaries engaging and persuasive? -- _tHow did documentary filmmaking get started? -- _tHow can we differentiate among documentary models and modes? what are the -- _tPoetic, expository, and reflexive modes? -- _tHow can we describe the observational, participatory, and performative modes of -- _tDocumentary film? -- _tHow have documentaries addressed social and political issues? -- _tHow can we write effectively about documentary? -- _tI want to make a documentary. Where do I start? -- _tAppendix: Sample film project proposal.
530			_a2 _ub
650		0	_aDocumentary films _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1478201&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m2017 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c87092 _d87092
902			_a1 _bCynthia Snell _c1 _dCynthia Snell