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001 | ocn960940756 | ||
003 | OCoLC | ||
005 | 20240726105037.0 | ||
008 | 161018s2017 inu ob 001 0 eng | ||
010 | _a2016048153 | ||
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_aDLC _beng _erda _cDLC _dOCLCF _dOCLCO _dNT _dP@U _dIDEBK _dEBLCP _dYDX _dCNCGM _dCCO _dTEFOD _dIDB _dOTZ _dOCLCQ _dOCLCO _dJSTOR |
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_a9780253023216 _q((electronic)l(electronic)ctronic) |
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_aML3531 _b.H574 2017 |
049 | _aMAIN | ||
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_aHip hop at Europe's edge : _bmusic, agency, and social change / _cedited by Milosz Miszczynski and Adriana Helbig. |
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_aBloomington ; _aIndianapolis : _bIndiana University Press, _c(c)2017. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_tIntroduction / _rAdriana Helbig and Milosz Miszczynski -- _tPart 1: Hip Hop, Postsocialism, and Democracy -- _tRapping into Power: The Use of Hip Hop in Albanian Politics / _rGentian Elezi and Elona Toska -- _tNothing Left to Lose: Hip Hop in Bosnia-Herzegovina / _rJasmin Mujanović -- _tRussian Rap in the Era of Vladimir Putin / _rPhilip Ewell -- _tRap Music as a Cultural Mediator in Post-Conflict Yugoslavia / _rAlexandra Baladina -- _tPart 2: Hip Hop and Emerging Market Economies -- _tDiesel Power: Serbian Hip Hop from the Pleasure of the Privileged to Mass Youth Culture / _rGoran Musić and Predrag Vukčević -- _t"The Underground is for Beggars": Slovak Rap at the Center of National Popular Culture / _rPeter Barrer -- _tMusic, Technology, and Shifts in Popular Culture: Making Hip Hop in e-Estonia / _rTriin Vallaste -- _tWearing Nikes for a Reason: A Critical Analysis of Brand Usage in Polish Rap / _rMilosz Miszczynski and Przemyslaw Tomaszewski -- _tPart 3: Hip Hop on the Margins -- _tCosmopolitan Inscriptions? Mimicry, Rap, and Rurbanity in Post-socialist Albania / _rNicholas Tochka -- _tViolence as Existential Punctuation: Russian Hip Hop in the Age of Late Capitalism / _rAlexandre Gontchar -- _tUnmasking Expressions in Turkish Rap/Hip Hop Culture: Contestation and Construction of Alternatıve Identities Through Localizatıon in Arabesk Music / _rNuran Erol Işik and Murat Can Basaran -- _tHip Hop as a Means of Flight from 'Gypsy Ghetto' in Eastern Europe / _rMichal Ruzicka, Alena Kajanova, Veronika Zvánovcová, and Tomas Mrhalek -- _tRapping the Changes in North-East Siberia: Hip Hop, Urbanization, and Sakha Ethnicity / _rAimar Ventsel and Eleanor Peers -- _tPart 4: Hip Hop and Global Circulations of Blackness -- _tLa haine et les autres crimes: Ghettocentric Imagery in Serbian Hip Hop Videos / _rIrena Sentevska -- _tThe Power of the Words: Discourses of Authenticity in Czech Rap Music / _rAnna Oravcová -- _t"Keep it 360": (Re)envisioning The Cultural and Racial Roots of Hip Hop through DJ Rhetoric and Ethnography / _rTodd Craig. |
520 | 8 | _aResponding to the development of a lively hip hop culture in Central and Eastern European countries, this interdisciplinary study demonstrates how a universal model of hip hop serves as a contextually situated platform of cultural exchange and becomes locally inflected. After the Soviet Union fell, hip hop became popular in urban environments in the region, but it has often been stigmatized as inauthentic, due to an apparent lack of connection to African American historical roots and black identity. Originally strongly influenced by aesthetics from the US, hip hop in Central and Eastern Europe has gradually developed unique, local trajectories, a number of which are showcased in this volume. On the one hand, hip hop functions as a marker of Western cosmopolitanism and democratic ideology, but as the contributors show, it is also a malleable genre that has been infused with so much local identity that it has lost most of its previous associations with?the West? in the experiences of local musicians, audiences, and producers. Contextualizing hip hop through the prism of local experiences and regional musical expressions, these valuable case studies reveal the broad spectrum of its impact on popular culture and youth identity in the post-Soviet world. | |
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_a2 _ub |
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_aRap (Music) _zEurope, Eastern _xHistory and criticism. |
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_aRap (Music) _zEurope, Central _xHistory and criticism. |
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_aRap (Music) _xSocial aspects _zEurope, Eastern. |
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650 | 0 |
_aRap (Music) _xSocial aspects _zEurope, Central. |
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655 | 1 | _aElectronic Books. | |
700 | 1 |
_aMiszczyński, Miłosz, _e5 |
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700 | 1 |
_aHelbig, Adriana, _e5 |
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856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1478071&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hML _m2017 _QOL _R _x _8NFIC _2LOC |
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_c87091 _d87091 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |