000 | 01963cam a2200361Ki 4500 | ||
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001 | ocn973223163 | ||
003 | OCoLC | ||
005 | 20240726105037.0 | ||
008 | 170220s2016 enka ob 001 0 eng d | ||
040 |
_aNT _beng _erda _epn _cNT _dYDX _dEBLCP _dOCLCF _dCCO _dG3B _dIGB _dSTF _dOCLCO _dJSTOR |
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020 |
_a9781526123497 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aN6490 _b.A466 2016 |
049 | _aMAIN | ||
100 | 1 |
_aDezeuze, Anna, _e1 |
|
245 | 1 | 0 |
_aAlmost nothing : _bobservations on precarious practices in contemporary art / _cAnna Dezeuze. |
260 |
_aManchester : _bManchester University Press, _c(c)2017. |
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300 | _a1 online resource (xiii, 330 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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490 | 1 | _aRethinking art's histories | |
504 | _a2 | ||
505 | 0 | 0 | _aCover; Almost nothing; Contents; List of figures; Acknowledgements; Introduction: almost nothing; Part I: 'Dharma bums', 1958-71; 1 Junk aesthetics in a throwaway age; 2 'At the point of imperceptibility'; 3 'Good-for-nothing'; Part II: The light years, 1991-2009; 4 Joins in the age of 'liquid modernity'; 5 Futility and precarity; Postscript: on the humanism of precarious works; Select bibliography; Index |
520 | 0 | _aPresents a short history of artworks at risk of passing unnoticed because they look like trash, or are little more than commonplace objects and fleeting gestures that disappear into the fabric of everyday life. | |
530 |
_a2 _ub |
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650 | 0 | _aArt, Modern. | |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1469949&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hN _m2017 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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999 |
_c87050 _d87050 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |