000 | 02048cam a2200397Mi 4500 | ||
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001 | ocn953630941 | ||
003 | OCoLC | ||
005 | 20240726105036.0 | ||
008 | 150904s2016 miu ob 001 0 eng d | ||
040 |
_aP@U _beng _epn _erda _cP@U _dYDXCP _dOCLCO _dJSTOR _dOCLCF _dYDX _dEBLCP _dOCLCQ _dIXA _dIDB _dUAB _dMERUC _dNT |
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020 |
_a9781609174972 _q((electronic)l(electronic)ctronic) |
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041 | 1 |
_aeng _hfre |
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043 | _afb----- | ||
050 | 0 | 4 |
_aPN1993 _b.C668 2016 |
049 | _aMAIN | ||
100 | 1 |
_aBarlet, Olivier. _e1 |
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245 | 1 | 0 | _aContemporary African cinemaOlivier Barlet ; [translated by Melissa Thackway. |
260 |
_aEast Lansing: _bMichigan State University Press, _c(c)2016. |
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300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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490 | 1 | _aAfrican humanities and the arts | |
504 | _a2 | ||
505 | 0 | 0 |
_aIntroduction: for an African film criticism -- _tThe question of criticism -- _tThematic continuities and ruptures -- _tPostcolonial cliches -- _tMemory and reconciliation -- _tStyles and strategies -- _tEconomic perspectives -- _tConclusion. |
520 | 0 | _aContemporary African Cinema identifies critical questions brought about by the evolution of the African cinema through a personal and passionate lens, rendering this book an indispensable sum of thought that challenges preconceived ideas and enriches an approach to cinema as a critical art. | |
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_a2 _ub |
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650 | 0 |
_aMotion pictures _zAfrica, Sub-Saharan _xHistory _y21st century. |
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650 | 4 |
_aMotion pictures _zAfrica, Sub-Saharan _xHistory _y21st century. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1459688&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPN.. _m2016 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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999 |
_c87004 _d87004 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |