000 | 02878cam a2200373 i 4500 | ||
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001 | ocn972641639 | ||
003 | OCoLC | ||
005 | 20240726105032.0 | ||
008 | 161114s2017 ilu ob s001 0 eng | ||
010 | _a2021701883 | ||
040 |
_aDLC _beng _erda _epn _cDLC _dYDX _dP@U _dEBLCP _dJSTOR _dUAB _dCSAIL _dMERUC _dCCO _dOTZ _dUKOUP _dIOG _dIGB _dSNK _dINTCL _dMHW _dBTN _dAUW _dOCLCF _dVTS _dRRP _dINT _dD6H _dU3W _dG3B _dS8I _dS8J _dS9I _dSTF _dBRX _dLEAUB _dUX1 _dNT |
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_a9780252099205 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 0 |
_aPN1998 _b.C757 2017 |
049 | _aMAIN | ||
100 | 1 |
_aFilimon, Monica, _d1976- _e1 |
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245 | 1 | 0 | _aCristi Puiu /Monica Filimon. |
260 |
_aUrbana : _bUniversity of Illinois Press, _c(c)2017. |
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300 | _a1 online resource (172 pages). | ||
336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aContemporary film directors | |
504 | _a2 | ||
505 | 0 | 0 |
_aIneffable experiences of the profane world -- _tThe ineffable and the profane -- _tAu revoir, les communistes? -- _tTheater of memory: retirement home -- _tThe road not taken: stuff and dough -- _tFathers and sons: cigarettes and coffee -- _tRegarding the death of others: the death of Mr. Lazarescu -- _tAuthor! author! Aurora -- _tMasks off! three exercises of interpretation -- _tWhat's in a name? "Das spektrum Europas" -- _tFather is gone: Sieranevada -- _tInterview with Cristi Puiu. |
520 | 0 | _a"Cristi Puiu's black comedy The Death of Mr. Lazarescu announced the arrival of the New Romanian Cinema as a force on the film world stage. As critics and festival audiences embraced the new movement, Puiu emerged as its lodestar and critical voice. Monica Filimon explores the works of an artist dedicated to truth not as an abstract concept, but as the ephemeral revelation of the fuller, ungraspable world beyond the screen. Puiu's innovative use of the handheld camera as an observer and his reliance on austere, restricted narration highlight the very limits of human understanding, guiding the viewer's intellectual and emotional sensibilities to the reality that has been left unfilmed. Filimon examines the director's ethics of epiphany not only in relation to the collective and personal histories that have triggered it, but also in dialogue with the films, texts, and filmmakers that have shaped it"--The publisher | |
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_a2 _ub |
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600 | 1 | 0 |
_aPuiu, Cristi, _d1967- _xCriticism and interpretation. |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1425140&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hPN.. _m2017 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c86792 _d86792 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |