000 02667cam a22003738i 4500
001 ocn948670054
003 OCoLC
005 20240726105032.0
008 160502s2016 ilu ob s001 0 eng
010 _a2016018900
040 _aDLC
_beng
_erda
_cDLC
_dOCLCO
_dOCLCF
_dOCLCO
_dJSTOR
_dNT
020 _a9780252098895
_q((electronic)l(electronic)ctronic)
042 _apcc
050 1 0 _aPS374
_b.S653 2016
049 _aMAIN
100 1 _aWhitney, Sarah E.,
_d1976-
_e1
245 1 0 _aSplattered ink :
_bpostfeminist gothic fiction and gendered violence /
_cSarah E Whitney.
260 _aUrbana :
_bUniversity of Illinois Press,
_c(c)2016.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
520 0 _a"Postfeminist cultural studies has largely been focused on film, television, and other forms of mass media, with the occasional foray into the the lighthearted romantic comedy fiction known as "chick lit." In this project, the author seeks to trace a darker literary thread in contemporary U.S. women's fiction: that which exemplifies the postfeminist gothic, a genre which harnesses gothic themes and motifs to tell stories of gendered violence and pain. Whitney suggests that the novels of the popular authors in this study - Alice Sebold, Susanna Moore, Sapphire, Patricia Cornwell and Jodi Picoult - intrude violently upon the well-constructed postfeminist fantasy of a safe and equitable world at the same time that they reject victimhood as an organizing identity. The author argues that a variety of narrative strategies that jar readers, refuse to provide happy endings, and question the inevitability of crime against women in a supposedly "equitable" world provide new ways of continuing to talk about sexual and domestic violence. Whitney's attention to the literary expression of this powerful cultural motif helps to illuminate the workings of gendered violence in the contemporary U.S. cultural imagination"--
_cProvided by publisher.
504 _a2
530 _a2
_ub
650 0 _aAmerican fiction
_xWomen authors
_xHistory and criticism.
650 0 _aGothic fiction (Literary genre), American
_xHistory and criticism.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1423216&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hPS.
_m2016
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c86774
_d86774
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell