000			03541cam a2200385Ki 4500
001			ocn987302377
003			OCoLC
005			20240726105030.0
008			170516t20172017mdu ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dP@U _dYDX _dEBLCP _dMERUC _dCSAIL _dUAB _dTEFOD _dOTZ _dTOH _dOCLCQ _dOCLCO _dOCLCA _dBUF _dAGLDB _dIGB _dCN8ML _dSNK _dINTCL _dMHW _dBTN _dAUW _dCUS _dHCO _dWRM _dGILDS _dOCLCQ _dVTS _dBNG
020			_a9781421422831 _q((electronic)l(electronic)ctronic)
043			_ae-uk-en
050	0	4	_aPR4038 _b.M355 2017
049			_aMAIN
100	1		_aLooser, Devoney, _d1967- _e1
245	1	0	_aThe making of Jane Austen /Devoney Looser.
260			_aBaltimore, Maryland : _bJohns Hopkins University Press, _c(c)2017.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
520	0		_a"Returning author Devoney Looser has written a study of Jane Austen's legacy in high and popular culture, looking at stage and film adaptations of her work, how Austen has been taught in classrooms, Austen's depiction in visual culture, and Austen's role in the women's suffragist movement. Looser draws on popular print and unpublished archival sources, amassing evidence from high, middlebrow, and popular culture, in order to craft a more capacious history of posthumous reception. The book is a detailed and revealing account of what Looser calls the "public dimension" of Jane Austen, who is a "manufactured creation." Looser has dug deep and come up with brand-new material on Austen, something that is very hard to do. This is the kind of material that Janeites and Austen scholars live for"-- _cProvided by publisher.
504			_a2
505	0	0	_aIntroduction: Jane Austen Matters ; Part I: Jane Austen, Illustrated ; 1. Austen's First English Illustrator: Ferdinand Pickering's Victorian Sensationalism; 2. Visual Austen Experiments: From Lush Landscapes to Bearded Heroes; 3. A Golden Age for Illustrated Austen: From Peacocks to Photoplays; Part II: Jane Austen, Dramatized ; 4. Austen's First Dramatist: Rosina Filippi's Duologues for Every Cultivated Amateur; 5. Playing Mr. Darcy before Laurence Olivier: Cross Dressing, Consuming Passion, and Cracking the Whip.
505	0	0	_a6. Dear Jane: Christian Spinster, Feminist Flirt, and Shadow Actress7. Stage to Screen Pride and Prejudice: Hollywood's Austen and Its Unrealized Screenplays; Part III: Jane Austen, Politicized ; 8. The Night of the Divine Jane: Men's Club Clashes and Politics in the Periodical Press; 9. Stone-Throwing Jane Austen: Suffragist Street Activism, Grand Pageants, and Costume Parties; Part IV: Jane Austen, Schooled ; 10. The First Jane Austen Dissertation: George Pellew and the Human Telephone; 11. Textbook Austens: From McGuffey's Readers to National Lampoon.
505	0	0	_aCoda: Twenty-First-Century Jane Austen Acknowledgments; Appendix: Suggested Further Reading; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I ; J; K; L; M; N; O; P ; R; S; T; U; V; W.
530			_a2 _ub
650		0	_aEnglish literature _xSocial aspects.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1393586&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPR. _m2017 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c86680 _d86680
902			_a1 _bCynthia Snell _c1 _dCynthia Snell