000			02723cam a2200409Mi 4500
001			ocn958861686
003			OCoLC
005			20240726105029.0
008			160920t20162016inu ob 001 0 eng d
010			_z2016004456
040			_aYDX _beng _erda _epn _cYDX _dNT _dEBLCP _dCCO _dP@U _dIDB _dOCLCQ _dTJC _dOTZ _dJSTOR
020			_a9780253021670 _q((electronic)l(electronic)ctronic)
050	0	4	_aML3830 _b.M875 2016
049			_aMAIN
100	1		_aCox, Arnie, _d1963- _e1
245	1	0	_aMusic and embodied cognition : _blistening, moving, feeling, and thinking / _cArnie Cox.
260			_aBloomington ; _aIndianapolis : _bIndiana University Press, _c(c)2016.
300			_a1 online resource (pages cm).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aMusical meaning and interpretation
504			_a2
505	0	0	_aMimetic comprehension -- _tMimetic comprehension of music -- _tMetaphor and related means of reasoning -- _tPitch height -- _tTemporal motion and musical motion -- _tPerspectives on musical motion -- _tMusic and the external senses -- _tMusical affect -- _tApplications -- _tReview and implications.
520	0		_a"Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition." --
530			_a2 _ub
650		0	_aMusic _xPsychological aspects.
650		0	_aEmotions and cognition.
650		0	_aEmotions in music.
650		0	_aMusic _xPhilosophy and aesthetics.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1354799&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML _m2016 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c86585 _d86585
902			_a1 _bCynthia Snell _c1 _dCynthia Snell