000 | 04421cam a2200397 i 4500 | ||
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001 | ocn951749539 | ||
003 | OCoLC | ||
005 | 20240726105024.0 | ||
008 | 160615s2016 alu ob 001 0 eng d | ||
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_aNT _beng _erda _epn _cNT _dOCLCO _dP@U _dYDXCP _dEBLCP _dOCLCF _dOCLCO _dIDB _dVLB _dUAB _dMERUC _dOCLCQ _dOCLCO _dSNK _dDKU _dAUW _dMHW _dBTN _dIGB _dD6H _dAGLDB _dOCLCA _dNRC _dOCLCQ _dVTS _dEZ9 _dINT _dYDX _dG3B _dS8J _dS9I _dSTF _dM8D _dOCLCQ _dOCL _dOCLCO _dUIU _dOCLCQ _dOCLCA |
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_a9780817389994 _q((electronic)l(electronic)ctronic) |
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_an-us--- _an-usu-- |
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050 | 0 | 4 |
_aE468 _b.L395 2016 |
049 | _aMAIN | ||
100 | 1 |
_aDavis, Patricia G. _q(Patricia Gail), _d1970- _e1 |
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245 | 1 | 0 |
_aLaying claim : _bAfrican American cultural memory and southern identity / _cPatricia G. Davis. |
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_aTuscaloosa : _bThe University of Alabama Press, _c(c)2016. |
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300 | _a1 online resource | ||
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 0 | _aRhetoric, culture, and social critique | |
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_aCultural memory and African American southern identity: an introduction -- _tGhosts of Nat Turner: African American Civil War reenactment and the performance of historical agency, citizenship, and masculinity -- _tSo that the dead may finally speak: space, place, and the transformational rhetoric of Black history museums -- _tFrom old south to new media: museum informatics, narrative, and the production of critical history -- _tConclusion: southern identities in the twenty-first century. |
520 | 0 | _a"In Laying Claim: African American Cultural Memory and Southern Identity, Patricia Davis identifies the Civil War as the central narrative around which official depictions of southern culture have been defined. Because that narrative largely excluded African American points of view, the resulting southern identity was monolithically white. Davis traces how the increasing participation of black public voices in the realms of Civil War memory--battlefields, museums, online communities--has dispelled the mirage of "southernness" as a stolid cairn of white culture and has begun to create a more fluid sense of southernness that welcomes contributions by all of the region's peoples. Laying Claim offers insightful and penetrating examinations of African American participation in Civil War reenactments; the role of black history museums in enriching representations of the Civil War era with more varied interpretations; and the internet as a forum within which participants exchange and create historical narratives that offer alternatives to unquestioned and dominant public memories. From this evolving cultural landscape, Davis demonstrates how simplistic caricatures of African American experiences are giving way to more authentic, expansive, and inclusive interpretations of southernness. As a case-study and example of change, Davis cites the evolution of depictions of life at Thomas Jefferson's Monticello. Where visitors to the site once encountered narratives that repeated the stylized myth of Monticello as a genteel idyll, modern accounts of Jefferson's day offer a holistic, inclusive, and increasingly honest view of Monticello as the residents on every rung of the social ladder experienced it. Contemporary violence and attacks about or inspired by the causes, outcomes, and symbols of the Civil War, even one hundred and fifty years after its end, add urgency to Davis's argument that the control and creation of public memories of that war is an issue of concern not only to scholars but all Americans. Her hopeful examination of African American participation in public memory illuminates paths by which this enduring ideological impasse may find resolutions."--Publisher's description | |
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_a2 _ub |
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_aAfrican Americans _xRace identity _zSouthern States. |
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_aWhite people _xRace identity _zSouthern States. |
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650 | 0 |
_aCollective memory _zSouthern States. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1250435&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hE. _m2016 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c86329 _d86329 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |