000 | 03784cam a2200397Mi 4500 | ||
---|---|---|---|
001 | ocn919384517 | ||
005 | 20240726105023.0 | ||
008 | 140702s2015 mau ob 001 0 eng d | ||
040 |
_aP@U _beng _epn _erda _cP@U _dOCLCO _dYDXCP _dOCLCF _dEBLCP _dOCLCQ _dNT _dJSTOR _dOCLCQ _dCCO _dIDB _dLOA _dAGLDB _dICA _dK6U _dPIFAG _dFVL _dOCLCA _dXFH _dZCU _dMERUC _dOCLCQ _dCOO _dOCLCQ _dIOG _dOCLCO _dU3W _dEZ9 _dD6H _dWRM _dSTF _dVTS _dICG _dINT _dVT2 _dAU@ _dOCLCQ _dOCLCO _dWYU _dLVT _dTKN |
||
020 |
_a9781613763391 _q((electronic)l(electronic)ctronic) |
||
029 | 1 |
_aAU@ _b000058884348 |
|
029 | 1 |
_aDEBBG _bBV043961732 |
|
029 | 1 |
_aDEBBG _bBV044061112 |
|
029 | 1 |
_aDEBSZ _b481306846 |
|
050 | 0 | 4 |
_aPS1541 _b.K577 2015 |
100 | 1 |
_aGuthrie, James R. _q(James Robert) _e1 |
|
245 | 1 | 0 |
_aA kiss from Thermopylae : _bEmily Dickinson and law / _cJames R. Guthrie. |
260 |
_aAmherst : _bUniversity of Massachusetts Press, _c(c)2015. |
||
300 | _a1 online resource | ||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
347 |
_adata file _2rda |
||
504 | _a2 | ||
530 |
_a2 _ub |
||
505 | 0 | 0 |
_tDelinquent Palaces -- _tBankruptcy -- _tNor Here nor There -- _tEquity -- _tSeals, Signs, and Rings -- _tContracts -- _tLands with Locks -- _tProperty -- _tHas All a Codicil? -- _tEstates and Trusts -- _tFelonies, Trials, and Transcendental Prisons -- _tCrime and Punishment -- _tKiss from Thermopylae -- _tRule of Law. |
520 | 0 | _aBorn into a family of attorneys, Dickinson absorbed law at home. She employed legal terms and concepts regularly in her writings, and her metaphors grounded in law derive much of their expressive power from a comparatively sophisticated lay knowledge of the various legal and political issues that were roiling nineteenth-century America. Dickinson displays interest in such areas as criminal law, contracts, equity, property, estate law, and bankruptcy. She also held in high regard the role of law in resolving disputes and maintaining civic order. Toward the end of her life, Dickinson cited the Spartans' defense at Thermopylae as an object lesson demonstrating why societies should uphold the rule of law. Yet Dickinson was also capable of criticizing, even satirizing, law and lawyers. Her poetic personae inhabit various legal roles including those of jurymen, judges, and attorneys, and some poems simulate courtroom contests pitting the rights of individuals against the power of the state. She was keenly interested in legal matters pertaining to women, such as breach of promise, dower, and trusts. With her tone ranging from subservient to domineering, from reverential to ridiculing, Dickinson's writings reflect an abiding concern with philosophic and political principles underpinning the law, as well as an identification with the plight of individuals who dared confront authority. A Kiss from Thermopylae reveals a new dimension of Dickinson's writing and thinking, one indicating that she was thoroughly familiar with the legal community's idiomatic language, actively engaged with contemporary political and ethical questions, and skilled at deploying a poetic register ranging from high romanticism to low humor.--Provided by publisher. | |
600 | 1 | 0 |
_aDickinson, Emily, _d1830-1886 _xKnowledge _xLaw. |
600 | 1 | 0 |
_aDickinson, Emily, _d1830-1886 _xCriticism and interpretation. |
650 | 0 | _aLaw in literature. | |
650 | 0 | _aLaw and literature. | |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1245504&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPS. _m2015 _QOL _R _x _8NFIC _2LOC |
||
999 |
_c86295 _d86295 |
||
902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |