000			03129cam a2200385Ki 4500
001			ocn951028372
005			20240726105023.0
008			160602s2016 nyu ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dYDXCP _dEBLCP _dWAU _dOCLCO _dIDB _dOTZ _dNRC _dIGB _dAGLDB _dCN8ML _dD6H _dOCLCF _dOCLCQ _dJBG _dVTS _dYDX _dOCLCQ _dS9I
020			_a9781438462059 _q((electronic)l(electronic)ctronic)
029	1		_aAU@ _b000058417116
050	0	4	_aML3916 _b.T746 2016
100	1		_aLove, Nancy Sue, _d1954- _e1
245	1	0	_aTrendy fascism : _bWhite power music and the future of democracy / _cNancy S. Love.
260			_aAlbany : _bState University of New York Press, _c(c)2016.
300			_a1 online resource (xii, 255 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aSUNY series in new political science
504			_a2
505	0	0	_aMobilizing white power: music, culture, and politics -- _tPlaying with hate: racist skinheads, Skrewdriver, and liberal tolerance -- _tImaging a white nation: neo-nazi folk, family values, and Prussian Blue -- _tBuilding a church: Rahowa, heavy metal, and racial ecology -- _tRecycling white trash: aesthetics, music, and democracy.
520	0		_aPopular music plays a major role in mobilizing citizens, especially youth, to fight for political causes. Yet the presence of music in politics receives relatively little attention from scholars, politicians, and citizens. White power music is no exception, despite its role in recent high-profile hate crimes. Trendy Fascism is the first book to explore how contemporary white supremacists use popular music to teach hate and promote violence. Nancy S. Love focuses on how white power music supports "trendy fascism," a neo-fascist aesthetic politics. Unlike classical fascism, trendy fascism involves a hyper-modern cultural politics that exploits social media to create a global white supremacist community. Three case studies examine different facets of the white power music scene: racist skinhead, neo-Nazi folk, and goth/metal. Together these cases illustrate how music has replaced traditional forms of public discourse to become the primary medium for conveying white supremacist ideology today. Written from the interdisciplinary perspective on culture, economics, and politics best described as critical theory, this book is crucial reading for everyone concerned about the future of democracy. --
530			_a2 _ub
650		0	_aWhite supremacy movements _xSongs and music _xHistory and criticism.
650		0	_aPopular music _xPolitical aspects.
650		0	_aPopular music _xSocial aspects.
650		0	_aNeo-Nazism.
650		0	_aHate groups.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1243542&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML _m2016 _QOL _R _x _8NFIC _2LOC
999			_c86256 _d86256
902			_a1 _bCynthia Snell _c1 _dCynthia Snell