000			03012cam a2200385Ki 4500
001			ocn950884852
005			20240726105022.0
008			160531s2005 cau ob 000 0 eng d
040			_aNT _beng _erda _epn _cNT _dYDXCP _dEBLCP _dAGLDB _dICA _dDEBSZ _dXFH _dMERUC _dOCLCQ _dD6H _dOCLCQ _dVNS _dVTS _dEZ9 _dBTN _dAUW _dMHW _dINTCL _dSNK _dOCLCQ
020			_a9781503601666 _q((electronic)l(electronic)ctronic)
029	1		_aDEBSZ _b489856462
041	1		_aeng _hfre
050	0	4	_aB2430 _b.H363 2005
100	1		_aBadiou, Alain. _e1
245	1	0	_aHandbook of inaesthetics /Alain Badiou ; translated by Alberto Toscano.
260			_aStanford, Calif. : _bStanford University Press, _c(c)2005.
300			_a1 online resource (xi, 148 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aMeridian
504			_a2
505	0	0	_aArt and philosophy --- What is a poem?, Or, philosophy and poetry at the point of the unnamable --- A French philosopher responds to a Polish poet --- A philosophical task: to be contemporaries of Pessoa --- A poetic dialectic: Labîd ben Rabi'a and Mallarmeʹ --- Dance as a metaphor for thought --- Theses on theater --- The false movements of cinema --- Being, existence, thought: prose and concept --- Philosophy of the faun.
520	0		_aDidacticism, romanticism, and classicism are the possible schemata for the knotting of art and philosophy, the third term in this knot being the education of subjects, youth in particular. What characterizes the century that has just come to a close is that, while it underwent the saturation of these three schemata, it failed to introduce a new one. Today, this predicament tends to produce a kind of unknotting of terms, a desperate dis-relation between art and philosophy, together with the pure and simple collapse of what circulated between them: the theme of education. Whence the thesis of which this book is nothing but a series of variations: faced with such a situation of saturation and closure, we must attempt to propose a new schema, a fourth type of knot between philosophy and art. Among these "inaesthetic" variations, the reader will encounter a sustained debate with contemporary philosophical uses of the poem, bold articulations of the specificity and prospects of theater, cinema, and dance, along with subtle and provocative readings of Fernando Pessoa, Stephane Mallarme, and Samuel Beckett.
530			_a2 _ub
650		0	_aPhilosophy-Ancient
650		0	_aAesthetics.
655		1	_aElectronic Books.
690			_aPhilosophy-Ancient
700	1		_aToscano, Alberto.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1241876&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hB. _m2005 _QOL _R _x _8NFIC _2LOC
999			_c86246 _d86246
902			_a1 _bCynthia Snell _c1 _dCynthia Snell