000 | 03507cam a2200433Ki 4500 | ||
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001 | ocn950459937 | ||
003 | OCoLC | ||
005 | 20240726105022.0 | ||
008 | 160524s2012 wauaf obf s001 0 eng d | ||
010 | _a2011039283 | ||
040 |
_aNT _beng _erda _epn _cNT _dOCLCO _dIDEBK _dYDXCP _dEBLCP _dCCO _dLOA _dCOCUF _dMERUC _dCOO _dK6U _dPIFAG _dFVL _dOCLCQ _dZCU _dU3W _dOCLCQ _dOCLCO _dIDB _dWRM _dSTF _dICG _dVT2 _dOCLCQ _dWYU _dTKN _dOCLCQ _dDKC _dOCLCQ _dUX1 _dCEF _dJSTOR |
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016 | 7 |
_a016019517 _2Uk |
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020 |
_a9780295807034 _q((electronic)l(electronic)ctronic) |
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043 | _aa-cc--- | ||
050 | 0 | 4 |
_aN72 _b.A783 2012 |
049 | _aMAIN | ||
100 | 1 |
_aPark, J. P. _e1 |
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245 | 1 | 0 |
_aArt by the book : _bpainting manuals and the leisure life in late Ming China / _cJ.P. Park. |
246 | 3 | 0 | _aPainting manuals and the leisure life in late Ming China |
260 |
_aSeattle [Wash. : _bUniversity of Washington Press, _c(c)2012. |
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300 |
_a1 online resource (xii, 309 pages, 16 unnumbered pages of plates) : _billustrations (some color). |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aA China Program book | |
504 | _a2 | ||
505 | 0 | 0 |
_aChronology of Chinese dynasties -- _tIntroduction. William Shakespeare, a great painter? -- _tGenre and biography -- _tWords without images -- _tPortraits of the characteristic -- _tIcons of love and marginality -- _tThe art of being artistic -- _tCoda. The late Ming at the crossroads -- _tAppendix 1. Locations and editions of late Ming painting manuals -- _tAppendix 2. Lost manuals and albums of the Ming dynasty. |
520 | 0 | _a"Sometime before 1579, Zhou Lujing, a professional writer living in a bustling commercial town in southeastern China, published a series of lavishly illustrated books, which constituted the first multigenre painting manuals in Chinese history. Their popularity was immediate and their contents and format were widely reprinted and disseminated in a number of contemporary publications. Focusing on Zhou's work, Art by the Book describes how such publications accommodated the cultural taste and demands of the general public, and shows how painting manuals functioned as a form in which everything from icons of popular culture to graphic or literary cliche was presented to both gratify and shape the sensibilities of a growing reading public. As a special commodity of early modern China, when cultural standing was measured by a person's command of literati taste and lore, painting manuals provided nonelite readers with a device for enhancing social capital. | |
520 | 0 | _aJ.P. Park builds on important recent research on social status, economic development, and print publishing in late imperial China to show how a world of social meaning is evident in the literary subgenre of painting manuals, and provides insight into the links between art history, print culture, and social history."--Pub. desc. | |
530 |
_a2 _ub |
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650 | 0 |
_aArt and society _zChina _xHistory _yMing dynasty, 1368-1644. |
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650 | 0 |
_aPainting, Chinese _vHandbooks, manuals, etc. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1240022&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hN. _m(c)2012 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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999 |
_c86236 _d86236 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |