000			02688nam a2200373Ki 4500
001			ocn949669346
003			OCoLC
005			20240726105021.0
008			160512s2016 nyu ob s001 0 eng d
040			_aNT _beng _erda _epn _cNT
020			_a9781438461380 _q((electronic)l(electronic)ctronic)
050	0	4	_aPN1995 _b.C564 2016
049			_aMAIN
245	1	0	_aCinematic cuts : _btheorizing film endings / _cedited by Sheila Kunkle.
260			_aAlbany : _bState University of New York Press, _c(c)2016.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	0		_aSUNY series, Insinuations: Philosophy, Psychoanalysis, Literature
504			_a2
505	0	0	_aIntroduction: on the subject of endings / _rSheila Kunkle -- _tResolution, truncation, glitch / _rHugh S. Manon -- _tThe banality of trauma: Claire Denis's Bastards and the anti-ending / _rHilary Neroni -- _tThe greatest trick the devil ever played: desire, drive, and the twist ending / _rRyan Engley -- _tRetroactive rupture: the place of the subject in Jane Campion's In the cut / _rFabio Vighi -- _tLove, loss, endings, and beginnings: a psychoanalysis of Rust and bone / _rJuan Pablo Lucchelli -- _tCinematic ends: the ties that unbind in Claire Denis's White material / _rJennifer Friedlander -- _tWhen one becomes two: the ending of Catfish / _rRex Butler -- _tThe satisfaction of an ending / _rTodd McGowan -- _tThe too realistic cut: gaze as overconformity in Blue velvet / _rHenry Krips -- _tThe end of fantasy as we know it: Her and the vanishing mediator of the voice in film / _rSheila Kunkle -- _tMelancholia, an alternative to the end of the world: a reading of Lars Von Trier's film / _rDavid Denny -- _tCut or time, and American cinema of thought-affect: cuts of failure in John Huston's Fat city / _rA. Kiarina Kordela -- _tThe end of (self) analysis: the end of Kurosawa's High and low / _rBrian Wall -- _tThe final failure in The dark knight rises / _rSlavoj Žižek -- _tThe ["end"] / _rJan Agodzinski.
530			_a2 _ub
650		0	_aMotion pictures _xPhilosophy.
650		0	_aMotion pictures _xEditing.
650		0	_aMotion pictures _xPsychological aspects.
655		1	_aElectronic Books.
700	1		_aKunkle, Sheila, _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1237187&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN _m2016 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c86208 _d86208
902			_a1 _bCynthia Snell _c1 _dCynthia Snell