000 02273cam a2200445Ii 4500
001 ocn944899553
003 OCoLC
005 20240726105021.0
008 160316t20162016enk ob 001 0 eng d
040 _aJSTOR
_beng
_erda
_epn
_cJSTOR
_dYDXCP
_dNT
_dEBLCP
_dCUS
_dQCL
_dOCLCQ
_dUKOUP
_dOTZ
_dP@U
_dIOG
_dNLE
_dJBG
_dUKMGB
_dG3B
_dIGB
_dLEAUB
_dAU@
_dUKAHL
_dOCLCQ
_dOCL
_dOCLCQ
_dAUD
015 _aGBB6G6162
_2bnb
015 _aGBB7A0433
_2bnb
016 7 _a018073427
_2Uk
016 7 _a018371147
_2Uk
020 _a9781784996901
_q((electronic)l(electronic)ctronic)
020 _a9781526104113
020 _a9781784996284
043 _an-us---
050 0 4 _aPN1992
_b.M469 2016
049 _aMAIN
100 1 _aWright, Julia M.,
_e1
245 1 0 _aMen with stakes :
_bmasculinity and the gothic in US television /
_cJulia M. Wright.
260 _aManchester :
_bManchester University Press,
_c(c)2016.
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aManchester Gothic
504 _a2
505 0 0 _aCover; Men with stakes; Contents; Acknowledgments ; Introduction; 1 Bedeviling paternal discipline: fathers from American Gothic to Point Pleasant; 2 Looking for daddy: Carnivàle, Supernatural, and Millennium; 3 Latchkey hero: the horrors of class in Eric Kripke's Supernatural; 4 Gothic foundations:"The Pest House," "Hell House," and "The Murder House"; Conclusion: gothic conspiracy and the eyes of Lara Means; Episodes discussed in detail; Bibliography; Index.
520 0 _aMoves beyond a focus on gothic machinery and adaptations of literary gothic to consider television gothic in light of recent scholarship on the mode itself.
530 _a2
_ub
650 0 _aHorror television programs
_zUnited States
_xHistory and criticism.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1229524&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hPN..
_m2016
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c86167
_d86167
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell