000			02829cam a2200361Ii 4500
001			ocn947000182
003			OCoLC
005			20240726105019.0
008			160420s2016 onc ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dOCLCO _dYDXCP _dNT _dCELBN _dCCO _dEBLCP _dTEFOD _dOCL _dOCLCQ _dVLB _dCOCUF _dOCLCQ _dIGB _dD6H _dCN8ML _dVTS _dSTF _dCNLAK _dM8D _dOCLCQ _dJSTOR
020			_a9781442669529 _q((electronic)l(electronic)ctronic)
020			_a9781442669536 _q((electronic)l(electronic)ctronic)
050	0	4	_aPR428 _b.P758 2016
049			_aMAIN
100	1		_aHuebert, Ronald, _d1946- _e1
245	1	0	_aPrivacy in the age of Shakespeare : _bevolving relationships in a changing environment / _cRonald Huebert.
260			_aToronto : _bUniversity of Toronto Press, _c(c)2016.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
520	0		_a"For at least a generation, scholars have asserted that privacy barely existed in the early modern era. The divide between the public and private was vague, they say, and the concept, if it was acknowledged, was rarely valued. In Privacy in the Age of Shakespeare, Ronald Huebert challenges these assumptions by marshalling evidence that it was in Shakespeare's time that the idea of privacy went from a marginal notion to a desirable quality. The era of transition begins with More's Utopia (1516), in which privacy is forbidden. It ends with Milton's Paradise Lost (1667), in which privacy is a good to be celebrated. In between come Shakespeare's plays, paintings by Titian and Vermeer, devotional manuals, autobiographical journals, and the poetry of George Herbert and Robert Herrick, all of which Huebert carefully analyses in order to illuminate the dynamic and emergent nature of early modern privacy."-- _cProvided by publisher.
505	0	0	_aPreface -- _tBibliographical Note -- _tIntroduction Privacy: The Early Social History of a Word -- _tChapter 1. Invasions of Privacy in Shakespeare -- _tChapter 2. Private Devotions -- _tChapter 3. Voyeurism -- _tChapter 4. The Commonplace Book and the Private Self -- _tChapter 5. Privacy and Gender -- _tChapter 6. Privacy in Paradise -- _tChapter 7. Privacy and Dissidence -- _tChapter 8. 'A Fine and Private Place': Andrew Marvell -- _tConclusion.
530			_a2 _ub
650		0	_aPrivacy in literature.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1221995&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPR. _m2016 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c86089 _d86089
902			_a1 _bCynthia Snell _c1 _dCynthia Snell