000			03701nam a2200397Ki 4500
001			ocn946887740
003			OCoLC
005			20240726105019.0
008			160418s2009 enkab ob s000 0 eng d
040			_aNT _beng _erda _epn _cNT
020			_a9780861969166 _q((electronic)l(electronic)ctronic)
050	0	4	_aPN1993 _b.F556 2009
049			_aMAIN
245	1	0	_aFilm 1900 : _btechnology, perception, culture / _cedited by Annemone Ligensa and Klaus Kreimeier.
260			_aNew Burnet, England : _bJohn Libbey, _c(c)2009.
260			_aBloomington, IN : _bDistributed in North America by Indiana University Press
300			_a1 online resource (vi, 250 pages) : _billustrations, maps.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
500			_a"This collection is based on the conference 'New Paradigms of Perception: Changes in Media and Culture around 1900' held at the University of Siegen, Germany, in November 2006"--Page 248..
504			_a1
505	0	0	_aIntroduction: Triangulating a turn: film 1900 as technology, perception and culture / _rAnnemone Ligensa -- _tArchaeologies of interactivity: early cinema, narrative and spectatorship / _rThomas Elsaesser -- _tViewing change, changing views: the 'history of vision'-debate / _rFrank Kessler -- _tThe ambimodernity of early cinema: problems and paradoxes in the film-and-modernity discourse / _rBen Singer -- _tMind the gap: the discovery of physiological time / _rHenning Schmidgen -- _t'Is everything relative?' : cinema and the revolution of knowledge around 1900 / _rHarro Segeberg -- _tThe aesthetic idealist as efficiency engineer: Hugo Münsterberg's theories of perception, psychotechnics and cinema / _rJörg Schweinitz -- _tBetween observation and spectatorship: medicine, movies and mass culture in imperial Germany / _rScott Curtis -- _tThe scene of the crime: psychiatric discourses on the film audience in early twentieth century German / _rAndreas Killen -- _tSeen through the eyes of Simmel: the cinema programme as a 'modern' experience / _rAndrea Haller -- _t'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / _rPelle Snickars -- _tPerceptual environments for films: the development of cinema in Germany, 1895-1914 / _rJoseph Garncarz -- _t'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / _rIan Christie and John Sedgwick -- _tThe attraction of motion: modern representation and the image of movement / _rTom Gunning -- _t'Dashing down upon the audience': notes on the genesis of filmic perception / _rKlaus Kreimeier -- _tGerman Tonbilder of the 1900s: advanced technology and national brand / _rMartin Loiperdinger -- _tSculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / _rMichael Wedel -- _t'A cinematograph of feminine thought': The dangerous age, cinema and modern women / _rAnnemone Ligensa -- _tCinema as a mode(l) of perception: Dorothy Richardson's novels and essays / _rNicola Glaubitz.
530			_a2 _ub
650		0	_aMotion pictures _xHistory _y20th century.
650	0	4	_aFilm.
650	0	4	_aFilmtechnik.
655		1	_aElectronic Books.
700	1		_aKreimeier, Klaus.
700	1		_aLigensa, Annemone.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1221080&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m(c)2009 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c86076 _d86076
902			_a1 _bCynthia Snell _c1 _dCynthia Snell