000			02139cam a2200385Ki 4500
001			ocn959980189
003			OCoLC
005			20240726105019.0
008			161006s2016 nyu ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dYDX _dEBLCP _dCSAIL
020			_a9781479899081 _q((electronic)l(electronic)ctronic)
043			_an-us---
050	0	4	_aML3917 _b.S665 2016
049			_aMAIN
100	1		_aStoever, Jennifer Lynn. _e1
245	1	0	_aThe sonic color line : _brace and the cultural politics of listening / _cJennifer Lynn Stoever.
260			_aNew York : _bNew York University Press, _c(c)2016.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aPostmillennial pop
504			_a2
505	0	0	_aHalf Title; Series Page; Title Page; Copyright; Contents; Dedication; Acknowledgments; Introduction: The Sonic Color Line and the Listening Ear; 1. The Word, the Sound, and the Listening Ear: Listening to the Sonic Color Line in Frederick Douglass's 1845 Narrative and Harriet Jacobs's 1861 Incidents; 2. Performing the Sonic Color Line in the Antebellum North: The Swedish Nightingale and the Black Swan; 3. Preserving "Quare Sounds," Conserving the "Dark Past": The Jubilee Singers and Charles Chesnutt Reconstruct the Sonic Color Line
505	0	0	_a4. "A Voice to Match All That": Lead Belly, Richard Wright, and Lynching's Soundtrack5. Broadcasting Race: Lena Horne, W. E. B. Du Bois, and Ann Petry; Afterword; Notes; Index; About the Author
530			_a2 _ub
650		0	_aMusic and race _zUnited States _xHistory.
650		0	_aAfrican Americans _xMusic _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1218897&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML. _m2016 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c86035 _d86035
902			_a1 _bCynthia Snell _c1 _dCynthia Snell