000			02085cam a2200361Ki 4500
001			ocn945663164
003			OCoLC
005			20240726105018.0
008			160329s2016 ne o 000 0 eng d
040			_aNT _beng _erda _epn _cNT _dYDXCP _dIDEBK _dCDX _dEBLCP _dJSTOR
020			_a9789048528462 _q((electronic)l(electronic)ctronic)
020			_a9048528461 _q((electronic)l(electronic)ctronic)
050	0	4	_aNA6840 _b.B855 2016
049			_aMAIN
100	1		_aCressman, Darryl. _e1
245	1	0	_aBuilding musical culture in nineteenth-century Amsterdam. The Concertgebouw /darryl Cressman.
260			_aAmsterdam : _bAmsterdam University Press _c2016.
300			_a1 online resource (192 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
520	8		_aWhen people attend classical music concerts today, they sit and listen in silence, offering no audible reactions to what they're hearing. We think of that as normal-but, as Darryl Cressman shows in this book, it's the product of a long history of interrelationships between music, social norms, and technology. Using the example of Amsterdam's Concertgebouw in the nineteenth century, Cressman shows how its design was in part intended to help discipline and educate concert audiences to listen attentively - and analysis of its creation and use offers rich insights into sound studies, media history, science and technology studies, classical music, and much more.
530			_a2 _ub
610	2	0	_aConcertgebouw (Amsterdam, Netherlands)
650		0	_aConcerts _zNetherlands _zAmsterdam _xHistory _y19th century.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1212827&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hNA. _m2016 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c85983 _d85983
902			_a1 _bCynthia Snell _c1 _dCynthia Snell