000 03699cam a2200481Ii 4500
001 ocn707712892
003 OCoLC
005 20240726105017.0
008 090318t20092009onc ob 000 0 eng d
040 _aQE2
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016 _z20099013754 (print)
020 _a9781442621404
_q((electronic)l(electronic)ctronic)
020 _a9780802093639
020 _a9781459341692
041 1 _aeng
_aspa
_hspa
043 _ae-sp---
050 0 4 _aPQ6239
_b.O987 2009
049 _aMAIN
245 1 0 _aThe outrageous Juan Rana entremeses :
_ba bilingual and annotated selection of plays written for this Spanish Golden Age Gracioso /
_cPeter E. Thompson.
260 _aToronto [Ont. :
_bUniversity of Toronto Press,
_c(c)2009.
260 _a(Saint-Lazare, Quebec :
_bCanadian Electronic Library,
_c(c)2010).
300 _a1 online resource (x, 306 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aUniversity of Toronto romance series
500 _aTranslations and annotations by Peter E. Thompson.
504 _a2
505 0 0 _aIntroduction : the outrageous Juan Rana --
_tEl guardainfante I y II. Luis Quiñones de Benavente --
_tLos muertos vivos. Luis Quiñones de Benavente --
_tEl parto de Juan Rana. Francisco Pedro Lanini y Sagredo --
_tLas fiestas del aldea. Francisco Bernardo de Quirós-- Una rana hace ciento. Luis Belmonte Bermúdez --
_tEl desafio de Juan Rana. Pedro Calderón de la Barca --
_tEl vetrato de Juan Rana. Sebastián de Villaviciosa --
_tLa boda de Juan Rana. Gerónimo Cáncer y Velasco --
_tLa loa de Juan Rana. Agustín Moreto y Cavana --
_tJuan Rana muger. Gerónimo Cáncer y Velasco --
_tEl triunfo de Juan Rana. Pedro Calderón de la Barca.
520 1 _a"Juan Rana, the most famous actor of the Spanish Golden Age, enjoyed a long and successful career from 1617 to 1672. Over fifty entremeses - interludes featured between the main acts of full-length plays - were written especially for him by some of the most important playwrights of the period. This bilingual and annotated edition of The Outrageous Juan Rana Entremeses translates a selection of the entremeses for the first time, highlighting their literary complexity and providing historical context for the many double meanings and innuendos they contain." "Rana's arrest for homosexuality in 1636 led him to play more gender bending, transvestite, and implicitly sexual roles. Many of his roles parody marriage, patriarchy, and heterocentric values while wrestling with issues of gender, sexual, and biological identity. As Peter E. Thompson ably demonstrates, these interludes challenge preconceived notions about society during the Spanish Golden Age by dealing with subject matter that remains extraordinarily relevant today."--Publisher.
530 _a2
_ub
600 1 0 _aRana, Juan
_xPerformances.
650 0 _aEntremés.
650 0 _aSpanish drama (Comedy)
650 0 _aInterludes, Spanish.
655 1 _aElectronic Books.
700 1 _aThompson, Peter E.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1195440&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hPQ.
_m(c)2009
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c85908
_d85908
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell