000			02199cam a2200397Ki 4500
001			ocn939519723
003			OCoLC
005			20240726105016.0
008			160216s2015 mau ob 001 0beng d
040			_aNT _beng _erda _epn _cNT _dOCLCA _dIDEBK _dYDXCP _dCDX _dEBLCP _dIDB _dMERUC _dYDX _dOCLCQ
020			_a9780262334662 _q((electronic)l(electronic)ctronic)
043			_an-us---
050	0	4	_aGV1785 _b.S648 2015
049			_aMAIN
100	1		_aMorse, Meredith. _e1
245	1	0	_aSoft is fast : _bSimone Forti in the 1960s and after / _cMeredith Morse.
260			_aCambridge, MA : _bMIT Press, _c(c)2015.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aAcknowledgments; Introduction; Part 1 The 1960S; 1 The Natural and the Neutral: Simone Forti, Ann Halprin, and Margaret H'Doubler; 2 Simone Forti in New York: John Cage and Robert Whitman; 3 Scale: Simone Forti's Text Works in An Anthology of Chance Operations; 4 The Dance Constructions, La Monte Young's Performance, and Slow Time; 5 The Problem of the Personal; Part 2 The 1960s and After; 6 Huddle: Inhabitation and Sociality; 7 Disoriented Perception: Simone Forti in the 1970s and Process Art; 8 News Animations and Improvisations: Movement-Feeling-Form.
505	0	0	_aEpilogue: Performing Then as NowNotes; Index.
520	0		_aAn innovative analysis of Simone Forti's interdisciplinary art, viewing her influential 1960s ""dance constructions"" as negotiating the aesthetic strategies of John Cage and Anna Halprin.
530			_a2 _ub
600	1	0	_aForti, Simone.
650		0	_aChoreographers _zUnited States _vBiography.
650		0	_aDancers _zUnited States _vBiography.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1171772&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hGV. _m2015 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c85835 _d85835
902			_a1 _bCynthia Snell _c1 _dCynthia Snell