000			03083cam a2200421 i 4500
001			ocn936692981
003			OCoLC
005			20240726105015.0
008			160205s2015 maua o6b 000 0 eng d
010			_z2014042019
040			_aNT _beng _erda _epn _cNT _dYDXCP _dEBLCP _dDEBSZ _dJSTOR _dIDB _dAGLDB _dVLB _dICA _dIOG _dD6H _dYDX _dOCLCO _dJBG _dOCLCQ _dVTS _dOCLCO _dINT _dAU@ _dOCLCO _dOCLCQ _dOCLCO _dSTF _dOCLCQ _dOCLCO _dM8D _dOCLCA _dOCLCQ _dOCLCA _dOCLCQ _dUKAHL _dESU _dU9X _dOCLCQ _dOCLCA _dMM9 _dUX1 _dOCLCQ _dMHD _dOCLCO _dOCL _dOCLCQ _dINARC _dZ35
020			_a9780674425620 _q((electronic)l(electronic)ctronic)
043			_an-us---
050	0	4	_aBF241 _b.U545 2015
050	0	4	_aBF241
049			_aMAIN
100	1		_aSousanis, Nick, _e1
245	1	0	_aUnflattening /Nick Sousanis.
260			_aCambridge, Massachusetts : _bHarvard University Press, _c(c)2015.
300			_a1 online resource (193 pages) : _bchiefly illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_tFlatness -- _tFlatland -- _tThe importance of seeing double and then some -- _tThe shape of our thoughts -- _tOur bodies in motion -- _tThe fifth dimension -- _tRuts -- _tStrings attached -- _tVectors -- _tAwaking.
520	0		_a"The primacy of words over images has deep roots in Western culture. But what if the two are inextricably linked, equal partners in meaning-making? Written and drawn entirely as comics, Unflattening is an experiment in visual thinking. Nick Sousanis defies conventional forms of scholarly discourse to offer readers both a stunning work of graphic art and a serious inquiry into the ways humans construct knowledge. 'Unflattening' is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, it uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. While its vibrant, constantly morphing images occasionally serve as illustrations of text, they more often connect in nonlinear fashion to other visual references throughout the book. They become allusions, allegories, and motifs, pitting realism against abstraction and making us aware that more meets the eye than is presented on the page."--Amazon.com
530			_a2 _ub
650		0	_aVisual perception _vComic books, strips, etc.
650		0	_aKnowledge, Theory of _vComic books, strips, etc.
650		0	_aImagery (Psychology) _vComic books, strips, etc.
650		0	_aCommunication _xMethodology _vComic books, strips, etc.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1164233&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hBF _m2015 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c85817 _d85817
902			_a1 _bCynthia Snell _c1 _dCynthia Snell