000			03618cam a2200421Ii 4500
001			ocn934047794
003			OCoLC
005			20240726105014.0
008			160108s2016 stk ob 001 0 eng d
040			_aIDEBK _beng _epn _erda _cIDEBK _dYDXCP _dNT _dCDX _dOCLCF _dOCLCQ _dEBLCP _dOCLCQ _dIDB _dJSTOR
020			_a9780748696031 _q((electronic)l(electronic)ctronic)
020			_a9780748696055 _q((electronic)l(electronic)ctronic)
050	0	4	_aPN1995 _b.S569 2016
049			_aMAIN
245	1	0	_aSlow cinemaedited by Tiago de Luca and Nuno Barradas Jorge.
260			_aEdinburgh : _bEdinburgh University Press, _c(c)2016.
300			_a1 online resource (353).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aTraditions in world cinema
504			_a2
505	0	0	_aSLOW CINEMA; Copyright; CONTENTS; Illustrations; Contributors; ACKNOWLEDGEMENTS; TRADITIONS IN WORLD CINEMA; Foreword; Introduction: From Slow Cinema to Slow Cinemas; 1. The Politics of Slowness and the Traps of Modernity; 2. The Slow Pulse of the Era: Carl Th. Dreyer's Film Style; 3. The First Durational Cinema and the Real of Time; 4. 'The attitude of smoking and observing': Slow Film and Politics in the Cinema of Jean-Marie Straub and Danièle Huillet; 5. Temporal Aesthetics of Drifting: Tsai Ming-liang and a Cinema of Slowness; 6. Stills and Stillness in Apichatpong Weerasethakul's Cinema.
505	0	0	_a7. Melancholia: The Long, Slow Cinema of Lav Diaz8. Exhausted Drift: Austerity, Dispossession and the Politics of Slow in Kelly Reichardt's Meek's Cutoff; 9. If These Walls Could Speak: From Slowness to Stillness in the Cinema of Jia Zhangke; 10. Wastrels of Time: Slow Cinema's Labouring Body, the Political Spectator, and the Queer; 11. Living Daily, Working Slowly: Pedro Costa's In Vanda's Room; 12. Working/Slow: Cinematic Style as Labour in Wang Bing's Tie Xi Qu: West of the Tracks; 13. 'Slow Sounds': Duration, Audition and Labour in Liu Jiayin's Oxhide and Oxhide II.
505	0	0	_a14. It's About Time: Slow Aesthetics in Experimental Ecocinema and Nature Cam Videos15. Natural Views: Animals, Contingency and Death in Carlos Reygadas's Japón and Lisandro Alonso's Los muertos; 16. The Sleeping Spectator: Non-human Aesthetics in Abbas Kiarostami's Five: Dedicated to Ozu; 17. Béla Tarr: The Poetics and the Politics of Fiction; 18. Ethics of the Landscape Shot: AKA Serial Killer and James Benning's Portraits of Criminals; 19. Slow Cinema and the Ethics of Duration; 20. Performing Evolution: Immersion, Unfolding and Lucile Hadžihalilovic'́s Innocence.
505	0	0	_a21. The Slow Road to Europe: the Politics and Aesthetics of Stalled Mobility in Hermakono and Morgen22. Crystallising the Past: Slow Heritage Cinema; Index.
520	0		_aFocused on a body of films bound together through a cinematic aesthetic of slowness, this book is a pioneering effort to situate, theorise and map out slow cinema within contemporary global film production and across world cinema history.
530			_a2 _ub
650		0	_aSlow cinema.
655		1	_aElectronic Books.
700	1		_aDe Luca, Tiago, _e5
700	1		_aJorge, Nuno Barradas, _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1140025&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN _m2016 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c85746 _d85746
902			_a1 _bCynthia Snell _c1 _dCynthia Snell