000			02036cam a2200385Mi 4500
001			ocn910605851
003			OCoLC
005			20240726105014.0
008			150326t20142014stka fob 001 0 eng d
040			_aUAB _beng _erda _epn _cUAB _dOCLCO _dJSTOR _dYDXCP _dOCLCO _dNT _dOCLCO _dEBLCP
020			_a9781474406437 _q((electronic)l(electronic)ctronic)
020			_a9780748691111 _q((electronic)l(electronic)ctronic)
050	0	4	_aPN1995 _b.I584 2014
049			_aMAIN
245	1	0	_aInternational noir /edited by Homer B. Pettey and R. Barton Palmer.
260			_aEdinburgh : _bEdinburgh University Press, _c(c)2014.
300			_a1 online resource (xv, 272 pages) : _billustrations (black and white).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aTraditions in world cinema
504			_a1, filmography and index.
520	8		_aFollowing World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India. This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity.
530			_a2 _ub
650		0	_aFilm noir _xHistory and criticism.
650		0	_aFilm noir _xInfluence.
655		1	_aElectronic Books.
700	1		_aPettey, Homer B., _e5
700	1		_aPalmer, R. Barton, _d1946- _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1139996&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m2014 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c85741 _d85741
902			_a1 _bCynthia Snell _c1 _dCynthia Snell