000 | 02920cam a2200493Ki 4500 | ||
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001 | ocn608429342 | ||
003 | OCoLC | ||
005 | 20240726105013.0 | ||
008 | 100420s2007 inua ob 001 0 eng d | ||
040 |
_aOCLCE _beng _epn _erda _cOCLCE _dOCLCQ _dOCLCO _dOCLCQ _dOCLCA _dIDEBK _dYDXCP _dNT |
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020 |
_a9780253022653 _q((electronic)l(electronic)ctronic) |
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042 | _adlr | ||
043 |
_af-ke--- _af-nr--- |
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050 | 0 | 4 |
_aDT433 _b.A375 2007 |
049 | _aNTA | ||
100 | 1 |
_aKasfir, Sidney Littlefield. _e1 |
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245 | 1 | 0 |
_aAfrican art and the colonial encounter _binventing a global commodity / _cSidney Littlefield Kasfir. |
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_aBloomington : _bIndiana University Press, _c(c)2007. |
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_a1 online resource (xviii, 381 pages) : _billustrations. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aAfrican expressive cultures | |
504 | _a2 | ||
505 | 0 | 0 |
_aIntroduction: colonial power and aesthetic practice -- _tPart 1. Warriors. Maa warriorhood and British colonial discource. -- _tIdoma warriorhood and the Pax Britannica -- _tPart 2. Sculptors and smiths. Colonial rupture and innovation: the colonizer as inadvertent patron -- _tSamburu smiths, Idoma maskmakers: power at a distance -- _tPart 3. Masks, spears, the body. Mask and spear: art, thing, commodity -- _tWarrior theatre and the ritualized body -- _tPart 4. Commodities. Idoma sculpture: colonialism and the market for African art -- _tSamburu encounters with modernity: spears as tourist souvenirs -- _tSamburu warriors in Hollywood films: cinematic commodities -- _tReprise: the three C's: colonialism, commidities, and complex representations -- _tCoda: from spears to guns in the North Rift. |
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_a2 _ub |
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_aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. _uhttp://purl.oclc.org/DLF/benchrepro0212 _5MiAaHDL |
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_adigitized _c2010 _hHathiTrust Digital Library _lcommitted to preserve _2pda _5MiAaHDL |
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650 | 0 |
_aSamburu (African people) _xMaterial culture. |
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650 | 0 |
_aIdoma (African people) _xMaterial culture. |
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650 | 0 |
_aArt, African _xWestern influences. |
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650 | 0 |
_aSpears _zKenya. |
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650 | 0 | _aColonies in art. | |
650 | 0 | _aExoticism in art. | |
650 | 0 | _aArt and globalization. | |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1132976&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hDT.. _m(c)2007 _QOL _R _x _8NFIC _2LOC |
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994 |
_a02 _bNT |
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_c85703 _d85703 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |