000			03004cam a2200433 i 4500
001			ocn939245203
003			OCoLC
005			20240726105013.0
008			160211t20162016caua ob 001 0 eng
010			_a2016007028
040			_aDLC _erda _beng _cDLC _dYDX _dOCLCF _dNT _dJSTOR _dYDXCP _dOCLCO
020			_a9780520957961 _q((electronic)l(electronic)ctronic)
042			_apcc
043			_ae-gx---
050	1	4	_aDD256 _b.A786 2016
049			_aMAIN
100	1		_aPotter, Pamela Maxine, _e1
245	1	0	_aArt of suppression : _bconfronting the Nazi past in histories of the visual and performing arts / _cPamela M. Potter.
260			_aOakland, California : _bUniversity of California Press, _c(c)2016.
300			_a1 online resource (xvi, 389 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aWeimar and Now : German cultural criticism ; _v50
504			_a2
505	0	0	_aVisual and performing arts in Nazi Germany: what is known and what is believed -- _tThe exile experience -- _tOccupation, Cold War, and the "Zero Hour" -- _tTotalitarianism, intentionalism, and fascism in Cold War cultural histories -- _tModernism and the isolation of Nazi culture -- _tCultural histories after the Cold War.
520	0		_a"This provocative study asks why we have held on to vivid images of the Nazis' total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Potter investigates how historians since 1945 wrote about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts were colored by politics of the Cold War, the fall of communism, and the wish to preserve the idea that true art and politics cannot mix. She doesn't deny that the persecution of Jewish artists and other "enemies of the state" was a high priority in the Third Reich, but this did not erase their artistic legacies from German cultural life. Art of Suppression examines the cultural histories of the Third Reich to help us understand how the circumstances of exile, the Allied occupation of Germany, the Cold War, and the complex meanings of modernism have sustained a distorted and problematic characterization of cultural life in the Third Reich"--Provided by publisher.
530			_a2 _ub
650		0	_aArts and society _zGermany _xHistory _y20th century.
650		0	_aNational socialism and art.
650		0	_aArts, German _y20th century.
650		0	_aArt _xHistoriography.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1132487&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hDD. _m2016 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c85690 _d85690
902			_a1 _bCynthia Snell _c1 _dCynthia Snell