000			02119cam a2200421 i 4500
001			ocn940342293
003			OCoLC
005			20240726105011.0
008			160218s2016 ilu ob s001 0 eng
010			_a2016008362
040			_aDLC _erda _beng _cDLC _dYDX _dOCLCF _dYDXCP _dNT _dIDEBK _dP@U _dJSTOR
020			_a9780252098468 _q((electronic)l(electronic)ctronic)
042			_apcc
043			_an-us---
050	0	4	_aPS310 _b.S537 2016
049			_aMAIN
100	1		_aSolomon, William, _e1
245	1	0	_aSlapstick modernism : _bChaplin to Kerouac to Iggy Pop / _cWilliam Solomon.
260			_aUrbana : _bUniversity of Illinois Press, _c(c)2016.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction: the origins of slapstick modernism -- _t1920s. The work of art in the age of mechanical transportation -- _tThe politics and poetics of attraction I: Dos Passos -- _tThe politics and poetics of attraction II: Harold Lloyd's "thrill" films -- _tBecoming-child: Harry Langdon -- _t1930s. The emergence of slapstick modernism -- _tTheoretical interlude: Benjamin and the question concerning second technology -- _t1950s-1960s. The rise of slapstick modernism; or, the birth of the uncool.
530			_a2 _ub
650		0	_aAmerican literature _y20th century _xHistory and criticism.
650		0	_aModernism (Literature) _zUnited States _xHistory.
650		0	_aLiterature, Experimental _zUnited States _xHistory and criticism.
650		0	_aSilent films _zUnited States _xHistory and criticism.
650		0	_aMotion pictures and literature _zUnited States.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1100870&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPS. _m2016 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c85553 _d85553
902			_a1 _bCynthia Snell _c1 _dCynthia Snell