000			04383cam a2200409 i 4500
001			ocn945771870
003			OCoLC
005			20240726105011.0
008			151123s2016 ilua ob 001 0 eng
010			_a2019718052
040			_aDLC _beng _erda _cDLC _dYDXCP _dP@U _dJSTOR _dIDEBK _dCDX _dEBLCP _dIDB _dFBO _dVLB _dBUB _dYDX _dS4S _dOCLCF _dFVL _dMERUC _dIGB _dIOG _dITD _dRRP _dAGLDB _dU3W _dTJC _dD6H _dLOA _dVNS _dVTS _dCEF _dINT _dAU@ _dYOU _dS9I _dSTF _dDKC _dSISMU _dKIJ _dNT
027			_aJSTOR _qpurchased
043			_aa-ko---
050	0	0	_aHM621 _b.N495 2016
049			_aMAIN
100	1		_aJin, Dal Yong, _d1964- _e1
245	1	0	_aNew Korean wave : _btransnational cultural power in the age of social media / _cDal Youg Jin.
260			_aUrbana, Chicago : _bUniversity of Illinois Press, _c(c)2016..
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
520	0		_a"The 2012 smash "Gangnam Style" by the Seoul-based rapper Psy capped the triumph of Hallyu , the Korean Wave of music, film, and other cultural forms that have become a worldwide sensation. Dal Yong Jin analyzes the social and technological trends that transformed South Korean entertainment from a mostly regional interest aimed at families into a global powerhouse geared toward tech-crazy youth. Blending analysis with insights from fans and industry insiders, Jin shows how Hallyu exploited a media landscape and dramatically changed with the 2008 emergence of smartphones and social media, designating this new Korean Wave as Hallyu 2.0. Hands-on government support, meanwhile, focused on creative industries as a significant part of the economy and turned intellectual property rights into a significant revenue source. Jin also delves into less-studied forms like animation and online games, the significance of social meaning in the development of local Korean popular culture, and the political economy of Korean popular culture and digital technologies in a global context"-- _cProvided by publisher.
520	0		_a"Since the 1990s Korea has emerged as a production center for transnational popular culture, with Western audiences enjoying local cultural genres like TV dramas and pop music (K-pop). From 1997 to 2007 the Korean Wave (Hallyu) focused on the export of film and TV programs. Hallyu after 2008 diversified amid changing digital technologies and cultural politics. Korean smartphones and social networks have become major components of Hallyu. As with Psy's "Gangman Style," social media have shifted the global cultural flow of popular culture. Jin analyzes the social and tech trends behind Hallyu's global reach, emphasizing the strong connection between technology-avid youth and fandom in different parts of the world. Jin argues for a distinction between Hallyu 1.0 and Hallyu 2.0, marking the emergence after 2008 of different cultural forms. He blends analysis on the export and reception of Korean films, pop music, TV programs, online gaming, and animation with insights from interviews with fans and media industry personnel to tell how the Korean cultural industry grew from a relatively overlooked sector to a global success story"-- _cProvided by publisher.
504			_a2
505	0	0	_aThe Political Economy of Cultural Industries -- _tThe Rise of the New Korean Wave -- _tCultural Politics in the New Korean Wave Era -- _tTransnational Popular Culture -- _tTransnational Television Programs -- _tCultural Globalization in Korean Cinema -- _tHybrid Local Animation's Global Appeal -- _tCritical Discourse of K-pop within Globalization -- _tDigital Korean Wave -- _tDigital Hallyu 2.0: Transnationalization of Local Digital Games -- _tGlobal Penetration of Korea's Smartphones in the Social Media Era.
530			_a2 _ub
650		0	_aPopular culture and globalization.
650		0	_aMass media and globalization.
650		0	_aTechnological innovations _xSocial aspects.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1100869&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hHM _m2016 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c85552 _d85552
902			_a1 _bCynthia Snell _c1 _dCynthia Snell