000 | 04090cam a2200445 i 4500 | ||
---|---|---|---|
001 | ocn928389224 | ||
003 | OCoLC | ||
005 | 20240726105009.0 | ||
008 | 151009s2015 ilu ob s001 0 eng | ||
010 | _a2019718481 | ||
040 |
_aDLC _beng _erda _cDLC _dYDXCP _dIDEBK _dJSTOR _dCDX _dOCLCF _dP@U _dEBLCP _dYDX _dMERUC _dIDB _dLOA _dCOCUF _dK6U _dCCO _dPIFAG _dFVL _dCOO _dIOG _dZCU _dU3W _dEZ9 _dWRM _dSTF _dCEF _dICG _dTXC _dINT _dVT2 _dWYU _dLVT _dTKN _dDKC _dNT |
||
020 |
_a9780252097997 _q((electronic)l(electronic)ctronic) |
||
042 | _apcc | ||
043 | _aa-cc--- | ||
050 | 0 | 0 |
_aDS796 _b.R456 2015 |
049 | _aMAIN | ||
100 | 1 |
_aWu, Ka-ming, _e1 |
|
245 | 1 | 0 |
_aReinventing Chinese tradition : _bthe cultural politics of late socialism / _cKa-ming Wu. |
260 |
_aUrbana : _bUniversity of Illinois Press, _c(c)2015. |
||
300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
347 |
_adata file _2rda |
||
490 | 1 | _aInterpretations of culture in the new millennium | |
520 | 2 |
_a"Yan-an, China was the main organizing site of Chinese communism from 1935 to 1949. As the final destination of the Long March and center of the 'red bases,' it acquired mythical status during the Maoist period as the symbol and epitome of the Communist Party's triumph. Yet in the post-Mao period, Yan-an's significance diminished, along with its role as an emblem of revolutionary heroism. In this study, Ka-ming Wu presents an ethnographic account of contemporary Yan-an. She looks at Yan-an today to see what happened to that society and culture in the post-socialism era. Wu examines new dynamics between state and society in light of how rural residents in northwest China make sense of rapid social changes. Under Mao, Yan'an's rural culture was stripped of its spiritual contents and reorganized around socialist, anti-imperial rhetoric to glorify communists' socioeconomic reforms. Since the 1980s, rural Ya'an has been reimagined as a hinterland of ancient cultural traditions. Wu documents how revivals of rural practices are reworked within the socialist legacy, including folk paper-cutting, a local form of musical storytelling, and spiritual cults of local deities. Even though Mao had repressed these practices, surprisingly their current revival has brought out the sacredness or urgency of the revolution's legacy. Instead of assuming that ascendent market forces have replaced state socialism, the dominant line about post-Mao China today, Wu probes the various cultural practices in contemporary Yan'an that evade total commercialization. She contends that this public realm contains powerful religious and ritual practices that produce new forms of meaning out of turbulent rural conditions and new dynamics of state-society relations in the post-socialist era"-- _cProvided by publisher. |
|
504 | _a2 | ||
505 | 0 | 0 |
_aPaper-Cuts in Modern China : The Search for Modernity, Cultural Tradition, and Women's Liberation -- _tNarrative Battle : Fabricating Folk Paper-Cutting as an Intangible Heritage -- _tTraditional Revival with Socialist Characteristics : Propaganda Storytelling Turned into Spiritual Service -- _tFolk Cultural Production with Danwei Characteristics : Folk Storytelling and Public Relations Activities -- _tSpirit Cults in Yan'an : Surrogate Rural Subjectivity in the Urbanizing Rural -- _tGlossary. |
530 |
_a2 _ub |
||
650 | 0 |
_aCommunism _xSocial aspects _zChina _zYan'an Shi. |
|
650 | 0 |
_aPost-communism _xSocial aspects _zChina _zYan'an Shi. |
|
650 | 0 |
_aPolitics and culture _zChina _zYan'an Shi. |
|
650 | 0 |
_aSocial change _zChina _zYan'an Shi. |
|
650 | 0 |
_aEthnology _zChina _zYan'an Shi. |
|
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1091868&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hDS. _m2015 _QOL _R _x _8NFIC _2LOC |
||
994 |
_a92 _bNT |
||
999 |
_c85474 _d85474 |
||
902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |