000 | 03289cam a2200433 i 4500 | ||
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001 | ocn918594755 | ||
003 | OCoLC | ||
005 | 20240726105009.0 | ||
008 | 150407s2015 ilu ob 001 0 eng | ||
010 | _a2019718131 | ||
040 |
_aDLC _beng _erda _cDLC _dIDEBK _dYDXCP _dJSTOR _dOCLCF _dNT _dCDX _dEBLCP _dTEFOD _dZLM _dCCO _dMERUC _dIDB _dAGLDB _dLOA _dICA _dK6U _dJBG _dPIFAG _dFVL _dXFH _dCOO _dZCU _dIOG _dU3W _dD6H _dWRM _dSTF _dVTS _dRRP _dICG _dINT _dVT2 _dAU@ _dWYU _dLVT _dTKN _dDKC _dM8D _dP@U _dWAU |
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020 |
_a9780252097751 _q((electronic)l(electronic)ctronic) |
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020 | _a9780252039669 | ||
042 | _apcc | ||
043 | _ae-fr--- | ||
050 | 0 | 0 |
_aPN2638 _b.S445 2015 |
049 | _aMAIN | ||
100 | 1 |
_aDuckett, Victoria, _e1 |
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245 | 1 | 0 |
_aSeeing Sarah Bernhardt : _bperformance and silent film / _cVictoria Duckett. |
260 |
_aUrbana ; _aChicago : _bUniversity of Illinois Press, _c(c)2015. |
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300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aWomen and film history international | |
504 | _a2 | ||
505 | 0 | 0 |
_aNullius in verba: acting on silent film -- _tHamlet: a short film, 1900 -- _tCamille: the ladies of the Camellias -- _tQueen Elizabeth: a moving picture, 1912 -- _tSarah Bernhardt at home: cinema and the home, circa 1915 -- _tMothers of France: World War I, film, and propaganda -- _tConclusion. |
520 | 0 | _a"The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film Queen Elizabeth brought her international acclaim. The triumph capped her already lengthy involvement with cinema while enabling the indefatigable actress to reinvent herself in an era of technological and generational change. Placing Bernhardt at the center of the industry's first two decades, Victoria Duckett challenges the perception of her as an anachronism unable to appreciate film's qualities. Instead, cinema's substitution of translated title cards for her melodic French deciphered Bernhardt for Anglo-American audiences. It also allowed the aging actress to appear in the kinds of longer dramas she could no longer physically sustain onstage. As Duckett shows, Bernhardt contributed far more than star quality. Her theatrical practice on film influenced how the young medium changed the visual and performing arts. Her promoting of experimentation, meanwhile, shaped the ways audiences looked at and understood early cinema. A leading-edge reappraisal of a watershed era, Seeing Sarah Bernhardt tells the story of an icon who bridged two centuries--and changed the very act of watching film."--Publisher's description. | |
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_a2 _ub |
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600 | 1 | 0 |
_aBernhardt, Sarah, _d1844-1923. |
650 | 0 |
_aMotion picture industry _zFrance _xHistory. |
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650 | 0 |
_aSilent films _zFrance _xHistory and criticism. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1091847&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPN. _m2015 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c85464 _d85464 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |