000 03289cam a2200433 i 4500
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005 20240726105009.0
008 150407s2015 ilu ob 001 0 eng
010 _a2019718131
040 _aDLC
_beng
_erda
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020 _a9780252097751
_q((electronic)l(electronic)ctronic)
020 _a9780252039669
042 _apcc
043 _ae-fr---
050 0 0 _aPN2638
_b.S445 2015
049 _aMAIN
100 1 _aDuckett, Victoria,
_e1
245 1 0 _aSeeing Sarah Bernhardt :
_bperformance and silent film /
_cVictoria Duckett.
260 _aUrbana ;
_aChicago :
_bUniversity of Illinois Press,
_c(c)2015.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aWomen and film history international
504 _a2
505 0 0 _aNullius in verba: acting on silent film --
_tHamlet: a short film, 1900 --
_tCamille: the ladies of the Camellias --
_tQueen Elizabeth: a moving picture, 1912 --
_tSarah Bernhardt at home: cinema and the home, circa 1915 --
_tMothers of France: World War I, film, and propaganda --
_tConclusion.
520 0 _a"The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film Queen Elizabeth brought her international acclaim. The triumph capped her already lengthy involvement with cinema while enabling the indefatigable actress to reinvent herself in an era of technological and generational change. Placing Bernhardt at the center of the industry's first two decades, Victoria Duckett challenges the perception of her as an anachronism unable to appreciate film's qualities. Instead, cinema's substitution of translated title cards for her melodic French deciphered Bernhardt for Anglo-American audiences. It also allowed the aging actress to appear in the kinds of longer dramas she could no longer physically sustain onstage. As Duckett shows, Bernhardt contributed far more than star quality. Her theatrical practice on film influenced how the young medium changed the visual and performing arts. Her promoting of experimentation, meanwhile, shaped the ways audiences looked at and understood early cinema. A leading-edge reappraisal of a watershed era, Seeing Sarah Bernhardt tells the story of an icon who bridged two centuries--and changed the very act of watching film."--Publisher's description.
530 _a2
_ub
600 1 0 _aBernhardt, Sarah,
_d1844-1923.
650 0 _aMotion picture industry
_zFrance
_xHistory.
650 0 _aSilent films
_zFrance
_xHistory and criticism.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1091847&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hPN.
_m2015
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c85464
_d85464
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell