000 | 04440cam a2200565 i 4500 | ||
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001 | ocn808600320 | ||
003 | OCoLC | ||
005 | 20240726105008.0 | ||
008 | 200123t20202020enka ob 001 0 eng | ||
010 | _a2020003110 | ||
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_aDLC _beng _erda _cDLC _dE7B _dYDXCP _dCAUOI _dCCO _dOCLCF _dOCLCE _dJSTOR _dIDEBK _dNT _dAZK _dLOA _dUKOUP _dCOCUF _dCUS _dICA _dAGLDB _dMOR _dPIFAG _dIOG _dU3W _dEZ9 _dD6H _dSTF _dWRM _dVNS _dVTS _dNRAMU _dNLE _dVT2 _dAU@ _dUKMGB _dWYU _dLVT _dCANPU _dTKN _dM8D _dLEAUB _dCEF _dHS0 _dUWK _dADU _dNLW _dOTZ _dOCLCO _dYDX _dTYFRS _dOCLCQ _dUAB _dUKAHL _dYDX |
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_a014754288 _2Uk |
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_a9780429460357 _q((electronic)l(electronic)ctronic) |
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_a9781781702208 _q((electronic)l(electronic)ctronic) |
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_a9781847792945 _q((electronic)l(electronic)ctronic) |
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_a9780429863448 _q((electronic)l(electronic)ctronic) |
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_a9780429863455 _q((electronic)l(electronic)ctronic) |
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_aN72 _b.C858 2020 |
049 | _aMAIN | ||
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_aCultures of violence : _bvisual arts and political violence / _cedited by Ruth Kinna and Gillian Whiteley. |
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_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c(c)2020. |
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_a1 online resource (viii, 120 pages) : _billustrations. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aInterventions | |
500 | _a"Routledge Focus" -- | ||
504 | _a2 | ||
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_aIntroduction : art, culture and violence / _rRuth Kinna and Gillian Whiteley -- _tFrom Watts to Wall Street : a situationist analysis of political violence / _rMartin Lang -- _tProtest art and public space : Oleg Kulik and the strategies of Moscow Actionism / _rMarina Maximova -- _tProject sigma : the temporality of activism / _rVlad Morariu and Jaakko Karhunen -- _tChallenging state-led political violence with art-activism : focus on borders / _rAmy Corcoran -- _tPower volume violence : how can contemporary art create a 'space of appearance' and generate social change? / _rJessica Holtaway. |
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_a"Investigating art practitioners' responses to violence, this book considers how artists have used art practices to rethink concepts of violence and non-violence. It explores the strategies that artists have deployed to expose physical and symbolic violence through representational, performative and interventional means. It examines how intellectual and material contexts have affected art interventions and how visual arts can open up critical spaces to explore violence without reinforcement or recuperation. Its premises are that art is not only able to contest prevailing norms about violence but that contemporary artists are consciously engaging with publics through their practice in order to do so. Contributors respond to three questions: how can political violence be understood or interpreted through art? How are publics understood or identified? How are art interventions designed to shift, challenge or respond to public perceptions of political violence and/or are constrained by them? They discuss violence in the everyday and at state level: the Watts' Rebellion and Occupy, repression in Russia, domination in Hong Kong, the violence of migration and the unfolding art activist logic of the sigma portfolio"-- _cProvided by publisher. |
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_aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. _uhttp://purl.oclc.org/DLF/benchrepro0212 _5MiAaHDL |
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_adigitized _c2010 _hHathiTrust Digital Library _lcommitted to preserve _2pda _5MiAaHDL |
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_aArt _xPolitical aspects. |
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650 | 0 | _aArt and social action. | |
650 | 0 | _aPolitical violence. | |
655 | 1 | _aElectronic Books. | |
700 | 1 |
_aKinna, Ruth, _e5 |
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700 | 1 |
_aWhiteley, Gillian, _e5 |
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856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1083277&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hN. _m2020 _QOL _R _x _8NFIC _2LOC |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |