000 | 03301cam a2200421 i 4500 | ||
---|---|---|---|
001 | ocn925522616 | ||
003 | OCoLC | ||
005 | 20240726105007.0 | ||
008 | 151020s2016 wau ob s001 0 eng d | ||
010 | _a2015012083 | ||
040 |
_aNT _beng _erda _epn _cNT _dIDEBK _dCDX _dYDXCP _dOCLCO _dEBLCP _dOCLCO _dYDX _dOCLCO _dJBG _dCCO _dIDB _dIAT _dAGLDB _dLOA _dICA _dK6U _dDEBSZ _dMERUC _dPIFAG _dFVL _dNRC _dOCLCQ _dCOO _dU3W _dZCU _dD6H _dWRM _dSTF _dOCLCA _dOCLCQ _dVTS _dCOCUF _dICG _dINT _dVT2 _dOCLCQ _dOCLCO _dWYU _dG3B _dTKN _dOCLCQ _dOCLCO _dDKC _dAU@ _dOCLCQ _dJSTOR _dOCL _dOCLCQ _dSFB _dOCLCA _dP@U _dOCLCQ _dOCLCO _dOCLCF _dQGK _dUKAHL _dLUU _dOCLCO _dTEFOD _dWAU _dCNNOR _dWAU |
||
020 |
_a9780295806112 _q((electronic)l(electronic)ctronic) |
||
050 | 0 | 4 |
_aPN6725 _b.B533 2016 |
049 | _aMAIN | ||
100 | 1 |
_aWhaley, Deborah Elizabeth. _e1 |
|
245 | 1 | 0 |
_aBlack women in sequence : _bre-inking comics, graphic novels, and anime / _cDeborah Elizabeth Whaley. |
260 |
_aSeattle : _bUniversity of Washington Press, _c(c)2016. |
||
300 | _a1 online resource | ||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
347 |
_adata file _2rda |
||
504 | _a2 | ||
505 | 0 | 0 |
_aRe-inking the nation: Jackie Ormes's black cultural front comics -- _tBlack cat got your tongue? Catwoman, blackness, and postracialism -- _tAfrican goddesses, mixed-race wonders, and baadasssss women: black women as "signs" of Africa in US comics -- _tAnime dreams for African girls: Nadia: the secret of blue water -- _tWhere I'm coming from: black female artists and postmodern comix -- _tConclusion: Comic book divas and the making of sequential subjects. |
520 | 0 | _a"Black Women in Sequence takes readers on a search for women of African descent in comics subculture. From the 1971 appearance of the Skywald Publications character "the Butterfly"--The first Black female superheroine in a comic book--to contemporary comic books, graphic novels, film, manga, and video gaming, a growing number of Black women are becoming producers, viewers, and subjects of sequential art. As the first detailed investigation of Black women's participation in comic art, Black Women in Sequence examines the representation, production, and transnational circulation of women of African descent in the sequential art world. In this groundbreaking study, which includes interviews with artists and writers, Deborah Whaley suggests that the treatment of the Black female subject in sequential art says much about the place of people of African descent in national ideology in the United States and abroad."--Publisher's description | |
530 |
_a2 _ub |
||
650 | 0 |
_aComic books, strips, etc. _xHistory and criticism. |
|
650 | 0 | _aWomen, Black, in comics. | |
650 | 0 | _aAfrican American women in comics. | |
650 | 0 | _aAfricans in comics. | |
650 | 0 | _aWomen in comics. | |
650 | 0 |
_aGraphic novels _xHistory and criticism. |
|
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1082520&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPN _m2016 _QOL _R _x _8NFIC _2LOC |
||
994 |
_a92 _bNT |
||
999 |
_c85348 _d85348 |
||
902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |