000 | 02787cam a2200397Mi 4500 | ||
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001 | ocn882598172 | ||
005 | 20240726105003.0 | ||
008 | 131101s2014 miu ob 001 0 eng d | ||
040 |
_aP@U _beng _epn _erda _cP@U _dYDXCP _dOCLCO _dOCLCF _dCOO _dNT _dEBLCP _dOCLCQ _dTJC _dOCLCO _dJBG _dAGLDB _dCCO _dCOCUF _dOCLCQ _dCNNOR _dLOA _dMERUC _dPIFAG _dFVL _dZCU _dOCLCQ |
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020 |
_a9780814338995 _q((electronic)l(electronic)ctronic) |
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029 | 1 |
_aAU@ _b000058390257 |
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029 | 1 |
_aDEBBG _bBV043778056 |
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029 | 1 |
_aDEBSZ _b450738035 |
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029 | 1 |
_aGBVCP _b835756270 |
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050 | 0 | 4 |
_aPN1995 _b.R433 2014 |
245 | 1 | 0 |
_aReading the bromance : _bhomosocial relationships in film and television / _cedited by] Michael DeAngelis. |
260 |
_aDetroit, MI : _bWayne State University Press, _c(c)2014. |
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300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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490 | 1 | _aContemporary approaches to film and media series | |
504 | _a2 | ||
505 | 0 | 0 | _a""Cover""; ""Half-title""; ""Title""; ""Copyright""; ""Dedication""; ""Contents""; ""Acknowledgments""; ""Introduction""; ""I. ANTICIPATING THE BROMANTIC TURN""; ""1. Second Bananas and Gay Chicken: Bromancing the Rom-Com in the Fifties and Now""; ""2. Grumpy Old Men: “Bros Before Hosâ€?""; ""3. Fears of a Millennial Masculinity: Screamâ€?s Queer Killers""; ""II. THE CONTEMPORARY CINEMATIC BROMANCE""; ""4. I Love You, Hombre: Y tu mamá tambiÃ(c)n as Border-Crossing Bromance""; ""5. From Dostana to Bromance: Buddies in Hindi Commercial Cinema Reconsidered"" |
505 | 0 | 0 | _a""6. From Batman to I Love You, Man: Queer Taste, Vulgarity, and the Bromance as Sensibility and Film Genre""""7. Rad Bromance (or I Love You, Man, but We Won�t Be Humping on Humpday)""; ""8. Queerness and Futurity in Superbad""; ""III. BROMANCE AND TELEVISION NARRATIVE""; ""9. Becoming Bromosexual: Straight Men, Gay Men, and Male Bonding on U.S. TV""; ""10. The Bromance Stunt in House""; ""11. “This ain�t about your money, bro. Your boy gave you up�: Bromance and Breakup in HBO�s The Wire""; ""Works Cited""; ""Contributors""; ""Index"" |
530 |
_a2 _ub |
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650 | 0 | _aMasculinity in motion pictures. | |
650 | 0 | _aMasculinity on television. | |
650 | 0 | _aHomosexuality in motion pictures. | |
650 | 0 | _aHomosexuality on television. | |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1052007&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPN.. _m2014 _QOL _R _x _8NFIC _2LOC |
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999 |
_c85070 _d85070 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |