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020 _a9781612493855
_q((electronic)l(electronic)ctronic)
050 0 4 _aPQ1860
_b.W685 2015
049 _aMAIN
100 1 _aCall, Michael,
_d1976-
_e1
245 1 0 _aThe would-be author :
_bMolière and the comedy of print /
_cMichael Call.
260 _aWest Lafayette, Indiana :
_bPurdue University Press,
_c(c)2015.
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aPurdue studies in Romance literatures ;
_vvolume 63
504 _a2
505 0 0 _aIntroduction: The death of the author --
_tMoliere's writers --
_tThe early plays and the pirates who loved them --
_tComedic authorship and its discontents --
_t"Je veux qu'on me distingue" --
_tThe school for publishers --
_tCollaboration's pyrrhic triumph --
_tAfterword: The death of the actor.
520 0 _aThis book is the first full-length study to examine Molière's evolving (and at times contradictory) authorial strategies, as evidenced both by his portrayal of authors and publication within the plays and by his own interactions with the seventeenth-century Parisian publishing industry. Historians of the book have described the time period that coincides with Molière's theatrical activity as centrally important to the development of authors' rights and to the professionalization of the literary field. A seventeenth-century author, however, was not so much born as negotiated through often acrim.
530 _a2
_ub
650 0 _aAuthors in literature.
650 0 _aPublishers and publishing in literature.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1030040&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
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_m2015
_QOL
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_8NFIC
_2LOC
994 _a92
_bNT
999 _c84929
_d84929
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell